Is it original?

One of my most recent fiction reads is Yellowface by FR Kuang. I was absolutely blown away by this fierce and darkly hilarious examination of the publication industry and its acolytes.

It is not giving anything away to explain the basic premise, for that is played out right at the start of the novel: contemporary young American authors June Hayward and Athena Liu are both supposed to be rising stars. But while the fabulous Asian-American Athena finds instant fame and recognition, June is a literary nobody and her first novel is a resounding flop. When June happens to be present at Athena’s death as a result of a freak accident, she acts on impulse and steals Athena’s latest novel, an experimental masterpiece exploring the unacknowledged contributions of Chinese workers to World War I. June decides to edit Athena’s novel and “make it her own”, immersing herself so deeply in the process of refining its prose that on some level she becomes convinced that the novel actually is indeed her own. She sends it to her agent as her own work and – at the eager publisher’s suggestion – rebrands herself with the culturally ambiguous author name of Juniper Song. The rest of the novel charts her rise and fall.

Yellowface explores the ethics of plagiarism and forces us to confront the question of originality: if an original work is heavily edited, does it remain the authentic work of the primary author, or can it be considered a collaboration? June/Junpier certainly convinces herself that it can. The novel also explores issues of friendship, race and diversity, painting the protagonist as a jealous and overlooked author with nothing fashionable to say, frustrated by the lack of interest in her “white stories” and then thwarted by an audience that questions her right to explore a history outside of her own cultural milieu. Hilariously, June/Juniper becomes aggressively and eloquently defensive of her right to such authorship, to be a white author writing about a forgotten part of Chinese history, at times seeming to forget completely that she did not – in fact – author the novel in the first place. At other times she is quite literally haunted by Athena and the truth of what she has done. There are heated debates played out in real time at book fairs and accounts of reviews on Goodreads, many of which had me laughing out loud at their accuracy. Yellowface is simply brilliant and one of the many reasons I know it’s brilliant is that it has seriously upset a lot of the chattering reviewers on Goodreads: nobody likes how it feels when a mirror is held up in front of them.

Like any good novel, Yellowface has stayed in my mind and got me thinking about some of the issues it explores. I have written before about the dangers that teachers and private tutors face when seeking to monetise their resources (as we are all encouraged to do), due to what I believe is their naivety when it comes to what truly constitutes original work. I am grateful for my background in academia here, a period during which an extreme fastidiousness about the risk of plagiarism was drummed into me. There have been numerous cases of teachers monetising resources that have turned out to be based on the work of others and – quite unbelievably – this is supported and facilitated by the Times Educational Supplement, which allows people to upload and sell resources on its own website without a single check as to their originality. Only this week I saw someone online who was able to prove categorically that monetised resources available on the site were cut and pasted from his own work.

Such flagrant stealing aside, I honestly believe that a great deal of plagiarism occurs through nescience rather than through deliberate action. The way that teachers traditionally work means that it can be genuinely difficult to remember where your work ends and that of another begins. Teachers are the curators of an ever-evolving bank of resources that many others will have influenced in different ways over the years. Thanks to an academic background and some experience in publishing, I am acutely aware of the fact that pretty much everything I produce as a working resource for my students started its life somewhere else – as a passage in an old text book, from a bank of files kindly shared by a colleague, on a dim and distant exam paper from days gone by. Virtually nothing that I produce, therefore, can be claimed as fully original and monetised. This is true of most teachers, but I’m not sure how many of them fully understand the implications when it comes to publishing their work.

Every time I read or hear the exhortation from the ever-growing chorus of business coaches that tutors should be monetising their resources to create a passive income, my blood runs cold for those who heed this advice. How sure can such tutors be that their work is 100% and exclusively their own? If they’re sure of it, then they’ve been working in a vacuum, which seems a pretty strange way to go about things: reworking other people’s ideas is how we teachers get by in the job and doing so for our own use is absolutely allowed. But packaging these things up and selling them on as if they are entirely our own work is not. We live in an age where “publishing” is something that everyone can do – I have “published” this blog post myself – no editor, no publisher, no agent. The ease with which it is possible to release our work into the world can cause those inexperienced in the realities of professional publishing to think that they can do whatever they like, without recompense. I genuinely worry for them. If you’re still not convinced that there is anything for us to be concerned about, then take a look at what happened on The Classics Library website, where resources being shared entirely for free fell foul of copyright law and had to be taken down when the site was challenged by Cambridge University Press. Published resources using the ideas, the stories, the images or even just the names of the characters contained in the Cambridge Latin Course were deemed an infringement and the CUP demanded that they be taken down. In summary, any resource that uses even just an abstract concept created by others is breaking copyright law: if you publish an entirely “original” Latin story but that story contains the characters of Caecilius, Metella and Quintus, you’re potentially in trouble. These characters and their images are the intellectual property of the CUP.

Originality was not valued in the ancient world in anything like the way it is now. The modern world is obsessed with originality and authenticity, a tendency which has spilled over into society’s prioritisation of the individual over the community. The ancient Greeks had no interest in original stories, rather they liked to hear traditional or familiar stories told well. The Greek concept of story-writing arose out of the oral tradition, where stories were shared by word of mouth and were told and re-told a thousand times. Each teller would embellish the story and “make it their own” but none would claim (or indeed even wish to claim) that the story was original to them. For this and other reasons it is sometimes impossible to discern who was the original author of ideas in the ancient world and Homer, the oldest story-teller whose works we have in our possession, is considered by many to be an amalgamation of multiple authors over time, rather than one individual.

The Romans took the art of mimicry to a whole new level and due to the rapid and spectacular expansion of their empire had the opportunity to steal ideas from across much of the globe. They relished doing so. Their own art and literature were a kaleidoscope of colour from the regions they dominated and they certainly didn’t fret about cultural appropriation; quite frankly, they’d have been left with precious little culture without it. Furthermore, the Romans did not have the artistic prissiness we now harbour about owning the “original work”. Copies of Greek originals abounded and to be in possession of a good copy was considered not only acceptable but desirable. And it’s just as well. A multitude of Greek bronze originals are only known to us as a direct result of their Roman marble copy. (Bronzes don’t tend to survive – they get melted down and turned into more useful stuff!)

To return to the novel, I would highly recommend it. Few novels I have read this year have stayed with me as much as this one has and I loved its acerbic swipe at an industry and indeed an audience which can be cruel, unforgiving and hyprocrital. I wonder how the agent felt about this when they first picked up the manuscript. Now that I would like to have seen.

Photo by Elisa Photography on Unsplash

Thank you, Doctor

To date, no celebrity’s death has affected me on any level beyond “oh, that’s a shame”. Throughout my life, I have watched with curiosity and at times bewilderment while others claim to be “deeply affected” by the passing of someone they have never met; if I’m honest, I thought I was largely immune to the phenomenon. But during the last week I found myself checking and re-checking online, simply frantic to hear news of Michael Mosley, who went missing on the Greek island of Symi last Wednesday. As the days passed and the chance that there would be reports of him found safe and well became more and more unlikely, it was nevertheless still so distressing to finally read the confirmation that his body had been found. My heart goes out to his wife and his four children.

Dr. Michael Mosley was a scientist with an innate likeability that seems to have endeared him to everyone he encountered. His warm, empathetic style gave him an instant rapport with his audience and his passion for his subject was palpable. Mosley made it his mission to make the science of good health and longevity comprehensible to all and he practised what I would describe as comprehensibility without compromise: he never dumbed things down, he simply made them intelligible to the layperson of average intelligence. I have seen some of his TV work but for me, it was his BBC podcast called Just One Thing that made him feel like a part of my life. There is something about the way we listen to podcasts, having someone’s voice deep inside our ears while we go about our daily business of taking a walk or doing the shopping, that makes for a kind of intimacy never achieved through the television. Nodding along to Mosley’s warm-hearted, practical advice had become an important staple for me, so his sudden and untimely passing feels like a genuine loss, for which my life will be the lesser.

Mosley’s own health journey was, we are told, inspired in part by watching his father deteriorate in old age. Mosley’s father died aged 74 and, according to Mosley, was very inactive in his final years. Both Mosley and his father developed Type 2 diabetes in later life but while his father’s health deteriorated and was exacerbated by inactivity, Mosley himself managed to put his condition into longterm remission through diet and exercise, a phenomenon that is well-recognised by medics as possible for many patients. Mosley is perhaps most famous for his advice on diet, but it is not this side of his work that held interest for me. Due to genetic good fortune, I have never struggled with my weight. Furthermore, Mosley’s research took him down the route of recommending diets that include bouts of fasting and no scientist on earth could convince me to give that a go, however much I respected their advice. Fasting is emphatically not for me: it makes me feel truly awful. The last time I tried it was when instructed to fast prior to a blood test. Already feeling ghastly as a result, I was then kept waiting for some considerable time at the surgery. By the time I did get to actually see the Doctor I was the colour of parchment, shaking uncontrollably, covered in a film of cold sweat and dry-retching into a tissue. The somewhat bemused Doctor then of course proceeded to quiz me on my family history of Type 1 diabetes. There isn’t one! This is simply the way that fasting makes me feel and it always has done. I have absolutely no intention of trying it as a lifestyle choice. Sorry, Dr. Mosley.

Yet Mosley’s recommendations went way beyond diet and it was his advice on exercise that had me hooked. He more than anyone first convinced me to try weight and resistance training in later life, a journey which I embarked upon around 6 months ago and first wrote about here. Something about Mosley’s no-nonsense approach combined with the fact that he was not your typical lycra-wearing gym fanatic convinced me to do some further research and reading which – of course, although somewhat to my irritation – proved that he was 100% right about the importance of such work. I finally started down that pathway in November, have never wavered from it and now see resistance training as a permanent, non-negotiable part of life. Mosley was open about the fact that he loathed environments such as the gym and could never see himself going to one, yet he talked enthusiastically about doing push-ups, planks and squats in his 60s, about the enormous importance of developing muscle strength and bone-density to mitigate against the ageing process and to promote independence in later life. He talked and I listened.

It says a great deal about the society in which we live that much was made by some of the fact that Mosley left his mobile phone back at the place where he and his wife were staying before embarking on his ill-fated walk. Yet those of us who have listened to him over the years know that he also advocated for doing exactly this: for leaving your digital attachments to the world behind and striding off alone, to listen to the birds, the waves, the crickets, whatever nature may provide as the soundtrack to your adventure. Mosley’s wife confirmed in her response to his passing that his fierce independence and sense of adventure were part of what defined him and it speaks volumes about how ridiculously addicted so many people are to their hand-held communication devices that they are puzzled by the very idea that a man could leave his smart phone behind to go striding off into the hills.

I for one shall remember this vibrant yet gentle man with great affection and will continue to take his advice throughout what remains of my life. I am monumentally grateful for the contribution that he has made to our world and to my own health in particular. Whether we make it to a ripe old age or leave this world far too soon like Mosley himself, few of us will make such an impact and be remembered as such a compassionate, unassuming force for good. I shall miss his wisdom greatly.

Image source: BBC

Subliminal messages

Well-behaved women seldom make history.

Laurel Thatcher Ulrich, Professor of Early American history, Harvard

Imagine a world in which children received only good, positive and appropriate messaging about girls and women. Would it be dramatically different from the world we inhabit right now? I like to think that the world within my lifetime has changed for women, but sometimes I wonder.

While I love and agree wholeheartedly with the quotation above, when it comes to Roman history it seems to me that two types of women are preserved by the male elite who wrote about them: the badly behaved indeed, but also the idealised male fantasy – the Roman Stepford wife, if you will. In a culture in which history-writing truly was the sole preserve of men, the only women considered worth talking about were those who stood out in extremis: either those who made a right royal nuisance of themselves, or those who fulfilled the Roman male fantasy of the ideal wife. This meant that examples of the “perfect” Roman woman were recorded (think Lucretia and Arria Paeta) as well as the ones whom history condemned as beyond the pale (think Messalina and Clodia). Hence we are left with a cartoonesque surreality, in which real women’s voices are almost entirely absent.

This week I’ve been thinking about the subliminal messages we send to women and girls. As a child of the late 1970s and the 1980s, I grew up alongside all sorts of messaging that would now be considered unacceptable and problematic for boys and girls alike. I remember cigars advertised on the television and cigarettes in magazines. I remember buying candy sticks that were sold in small packets designed to look exactly like cigarettes, which my friend and I would pretend to “smoke” on a wintry day, enjoying the way our clouds of breath resembled the unquestionably cool clouds exhaled by smokers. I remember Bernard Manning and Jim Davidson. I remember Benny Hill and his entourage of large-breasted, scantily-clad women. I remember the standard comic trope of male Boss chasing younger female employee around the desk. She would try to avoid his wandering hands but the messaging clearly implied that she invited it really and enjoyed the whole process immensely; it also implied that the man was utterly helpless and incapable of controlling himself in the face of his desires for the younger women paraded before him. Poor chap.

As a child, I liked playing with Sindy dolls and was distinctly less than impressed by Barbie, mainly because the design of her legs made it impossible to force her onto the back of a horse, which was my dominant obsession at the time. If a girl can’t ride a horse, what is exactly is the point of her, I thought? This was particularly disappointing given that the Barbie horse, although a somewhat stylised palomino with a ridiculous flowing mane, had the benefit of articulated legs, which one could adjust into galloping and jumping positions. What a missed opportunity for Barbie to shine as an athlete! My mother supported my apparent lack of enthusiasm for Barbie’s appearance and carriage, helpfully pointing out her risibly manipulated figure as well as the fact that her arms were fixed at right angles. “Probably caused by years of carrying a tray,” she remarked.

Behind the bar in our local family pub there were large cardboard cutouts of topless women, attached to which were overpriced packets of peanuts, which punters were encouraged to purchase by the apparent lure of revealing a little bit more of the nubile lady’s naked form. In that very same pub, my sister was told by one punter that she should be careful to alternate the hand she used to pull the pint-pump, to make sure she didn’t end up with “one bigger than the other”. This was the world I grew up in. None of it was anything I registered as either traumatic or indeed problematic at the time. It was simply the way the world worked. Chin up, love.

Fast-forward to the beginning of the 1990s and when I hit the 6th form my all-girls school seemed to expect us to flip from a world in which sex had been barely acknowledged inside its four walls to a world in which teaching us how to win over the opposite sex was pretty much the endgame. We were invited to host dinner parties for handfuls of lads from private boys’ schools and our group scored a real win as we got Harrow: “we’re all snobs at heart, aren’t we girls?” said the teacher who gave us the simply terrific news, about which we were all expected to be suitably delighted. An evening dinner dance at Wellington College followed swiftly, at which one girl was dragged out of the bushes, covered in scratches and bleeding. As a punishment for her behaviour, the girl was locked in the coach with the male coach driver for the remainder of the evening. It was never established what had happened in the bushes.

Sometimes, the past comes back to you in flashes and at times like these I try to remind myself just how much the world has changed. I hope that it is no longer even imaginable that a girl would be treated in this way in a modern school, although occasionally a story emerges that makes me wonder. At least, though, I cling to the fact that the world has surely changed enough that plenty of people would be shocked by such an event and prepared to take action. That’s the difference. Still, the fact that such action might remain necessary is both depressing and exhausting. I’m not sure I believed we’d still be fighting for the rights of women and girls in 2024, but for a myriad of complex and unpredictable reasons it’s where we seem to find ourselves.

This week, I was invited to comment on a resource, excellent in many ways, but which contained stylised cartoons of an apparently flirtatious slave-girl. When I queried the inclusion of an image that seemed to me to be straight out of the 1970s in a course aimed at modern schoolchildren, the author said he would take on board my comments but also that the girls he’d taught “seem to be happy” with them. So what’s the problem? Well, here’s the thing: girls are used to it. Girls are socialised to accept their lot, to remain docile while they are conditioned to believe that the female form is public property. In my foolishness, I honestly thought we’d have got past all this by now, but when I catch the smallest glimpse of the ghastly diet that our girls are being fed on Instagram and similar platforms, when I see the tiniest of tots mimicking the hyper-sexualised poses and pouts of their chosen online influencers, it makes me want to weep. I don’t know what we can do in the face of such an overwhelming tide of subliminal messaging online, but can we at least keep it out of our educational resources?

One of the most depressing conversations I have ever had with a student was one with a member of my Year 10 Form, who showed up for school on a Monday morning with ridiculously long acrylic nails. She knew that the school did not allow them and was clearly trying it on, so the usual negotiations ensued as I attempted to apply the school’s policy and she kicked against it. While we awaited the member of Patrol whom (of course) I ended up summoning due to her refusal to attend the expected acrylic removal session voluntarily, I foolishly attempted to appeal to her, woman to woman. I pointed out the extreme impracticality of the false nails, which rendered her frankly disabled when it came to even the most basic of tasks and certainly at real risk when playing any kind of sport. “You know, women before you have fought incredibly hard so that you don’t have to do this kind of thing any more,” I told her. “You don’t have to polish and preen; you don’t have to enhance your body or make it into a cartoon version of itself in order to please others.” Unfortunately, my words appeared to have had zero impact. She just looked at me like I was insane.

As so often with my weekly musings, I’m not even sure I know where I’m going with this or indeed who needs to hear it. Maybe I’m just howling at the moon. I remain concerned that there is still work to be done before our daughters and granddaughters can truly be themselves, not a caricature of what society says they should be. We can pat ourselves on the back as much as we like about how far we’ve come since Benny Hill was making us laugh on prime-time television; but until we stop the subliminal message being pumped into our children’s brains that women’s bodies are a commodity, then how can we expect them to rise above the mundane and realise their full potential, unencumbered by the expectations of others?

Photo by Kevin Wolf on Unsplash

Why isn’t this taught in schools?

This was the cry of Susanna Reid on Good Morning Britain yesterday. In a discussion on the worthy quest by Martin Lewis to improve the teaching of financial literacy in schools (a move for which I am broadly in support), the well-paid presenter explained that one of her own children was surprised, shocked and no doubt disappointed by the news that they would have to pay tax on their own earnings. Reid was incredulous. Yet instead of reflecting on her own parenting and wondering how she had managed to raise someone with such a poor grasp of how the world works, she wailed “why isn’t this taught in schools?!” The entire panel agreed with her, with nobody raising the fact that basic financial literacy is, in fact, currently taught in schools.

To quote a nauseating political turn of phrase, let me be clear: I support the teaching of financial literacy in schools and I agree with Martin Lewis that it could do with some improvement. I support it because there are a small handful of vulnerable children who will not experience any discussion at home when it comes to financial matters. They may have parents who struggle to understand such things for themselves, who lack the skills and the vocabulary to enlighten their own children in complex matters. All of that said, I cling to the fact that all parents have a responsibility to teach their children about the world and how they fit into it and to the fact that the overwhelming majority of parents are perfectly capable of doing so. It is parents who have a duty to give children a sense that money doesn’t grow on trees and has to be earned, as well as the basic principle that most of the things they see around them have to be paid for and that this money comes from all of us. These are the kinds of things that must be discussed constantly in order for a child to grasp them, not ticked off on a curriculum list.

When we’re talking about a parent as privileged as Reid (you can look up the latest best guess on her salary), I am pretty unimpressed by the apparent fact that she does not consider it her responsibility to discuss such matters with her own children. To give her the benefit of the doubt, some people find talking about money with their own children difficult. Some want to cushion their children against the harsh reality that things have to be bought and paid for. I’ll be honest and say that I have never understood this. I consider myself hugely fortunate to have had parents who laid their cards on the table. Who told me what we could and could not afford. Who pointed to schoolmates with more luxurious lifestyles and punctured the image by deliberating where that money might have come from, what sacrifices may have been made in order to get hold of it. I was told that I was lucky to have a father who came home in the evenings and at weekends, who turned down more lucrative opportunities because he had different values and preferred to be at home with his family. By the same turn, my parents got lucky that I happened to observe one or two things that supported their rhetoric. Perhaps the most poignant moment was during a pool party at the house of a particularly wealthy classmate. They had an amazing house and an incredible lifestyle, one which could easily have impressed a child of my age. But the birthday girl’s mother spent the entire proceedings lying on a sun-lounger while we were supervised by the au pair, which I found really weird. (I was too young to work out that the mother was drunk, but realised this in later years). What I did understand at the time was that the child’s father made a brief appearance at around 4.00pm and she burst into tears: he was wearing a suit, carrying a briefcase and was leaving his daughter on her birthday to go to work. I remember thinking there and then, “if this is what buys you a private pool, you can keep it.”

Of course, the debate about where the responsibility lies for financial literacy forms part of a wider discussion on what schools are and should be used for and to what extent we are now asking them to take on things which really should not be their responsibility. I have written before on Labour’s mind-boggling suggestion that schools should take on teaching children how to brush their teeth, and barely a day goes by when there isn’t a story of a child sent in to primary school incapable of buttoning up their own coat, doing up their own shoelaces or even the basics of toilet training. Schools are now the receptacle for every failure in social care and – let us not be afraid to say it – every failure in parenting. It simply is not sustainable.

When I mentioned Reid’s comment on Twitter I received a lot of replies, with plenty of people telling me whether they did or did not recall receiving any teaching about financial literacy when they were in school. As always, everyone thinks their own recollections of school reflect the reality then and now, and everyone labours under the illusion that their own recollections are 100% accurate. If I believed every tutee who claimed they’d “never been taught” something I’d be declaring a state of emergency in Latin teaching across some of the most prestigious schools in the country. The reality? Well, they have been taught it, they just didn’t take it in at the time and it’s my job to fix that. The teaching of financial literacy in schools does take place and Reid’s children will in all likelihood have been given some basic teaching on taxes. Could the teaching of financial literacy improved? Certainly. As Lewis pointed out in the discussion on GMB, it is a topic currently divided between Maths and Citizenship in state secondary schools, so it might be a good idea to have someone with overall responsibility for coordinating the curriculum on finances across the whole school. Great idea. I’m all in favour. However, there will still be kids who simply don’t take it on board and I come back again and again to the reality that nothing is so powerful as the messaging a child receives at home.

So, Susanna: if you truly wanted your children to understand about paying taxes, then maybe you should have talked to them about such things on a regular basis to prepare them for the world they will be inhabiting. Your children have grown up in a household with a fair bit more money than the average person, so I hope very much that this was discussed. I hope you told them when times were tight, or explained to them how lucky they were that this was never the case, since mummy does a job that is considered worthy of a salary that most people in equally worthy professions could only dream about. I hope you talked to them about how much prices have gone up in the last couple of years. Do they know why most supermarkets now have a donation point for local food banks? Do they know the answer to the classic question that MPs are so frequently challenged with: do they know the price of a pint of milk these days? Do you? You see, your children’s teachers were not responsible for explaining the basics of how the world works. That job, I’m afraid, was yours.

Photo by micheile henderson on Unsplash

Like nobody’s watching

Glorious sunshine is finally upon us and the temperature is going up, so it must be exam time. Some of my most distinct memories from both my A levels and my degree finals are of my hand sliding down my pen and sticking to the exam paper as I wrote line after line in a heatwave. Some things never change.

Bizarrely, I have mainly positive memories of written exams. You might think that this is easy to say for someone who has been reasonably successful educationally, but I should make it clear that I did not have the easiest of rides in all subjects. Mathematics in particular was a real struggle for me and – classified at school as academically strong – it took me some time and a lot of failure to convince the school that I should be placed in the bottom set. This was the only way I would be allowed to sit the Foundation paper and it paid off – I got the Grade C that I needed for the door to further education to remain open for me. But it was a struggle. Not every subject came easily to me and I was not always someone who excelled.

Despite my chequered history across the full gamut of academic subjects, I learnt to enjoy written exams. Some of my students look at me in genuine disbelief when I say this, but it’s true. The thing is, written exams are distinctly different from a performance, something else which I had felt (and put myself) under enormous pressure to do. While concerts and musical examinations made me quite literally sick with fear and my overwhelming memory of those experiences is unremittingly negative, my response to written exams felt quite different. For me, a written exam was an intensely private experience. No one is watching. It’s just you and the paper. As you write, nobody knows how well or badly it’s going. You could be writing “all work and no play makes Jack a dull boy” a thousand times over, like Jack Nicholson in The Shining, and nobody would know. On the other hand, you could be producing sheer genius. Who can tell?

The anonymity of written examinations freed me up to perform and I am aware that this is a preference that has affected many aspects of my life: I am not keen on public performance and the older I get the harder it has become. This might seem to some extraordinary for a classroom teacher to say, but there are many teacher introverts and you’d be surprised how forgiving a classroom of teenagers can be, not least because they are usually far more worried about their own insecurities to pick yours apart. Standing at the front of a classroom feels completely different from standing in front of any other kind of audience, particularly one that is there explicitly to criticise. OfSted was not much fun for precisely this reason, although I believe I handled the process better than most. The reality is that I had no choice. Every job has its downsides.

As I maintain my (so far) regular and increasingly habitual twice-weekly visits to the gym, I am struck by the members who are there to perform to others. Most notable is the girl who films herself on her mobile phone. Dressed in tightly-clad lycra, she records her performance of deadlifts and uploads them to social media. It seems a desperately sad way to live, even if she’s making money as an influencer: for me, the pay-off of being judged 24 hours a day would not be worth the money and certainly the reports we already have from ex-influencers are testament to the detrimental effect that this kind of lifestyle has on their mental health. Being under intense scrutiny is remarkably stressful; making one’s income depend upon this must be doubly so.

Having just finished Jonathan Haidt’s Anxious Generation, I have been thinking a lot about Gen Z and the fact that they have grown up under scrutiny. No generation before has experienced the combination of our modern obsession with constant adult supervision to “keep children safe” combined with a quite horrifying lack of gate-keeping online that has opened the door on their lives to the world. Even prior to Haidt’s research I had found myself pondering that the generation which has grown up with the world in their pocket seems to feel the weight of that world more than any other generation has done so, despite the fact that their world is in fact a safer and healthier place than it has ever been for previous generations. Something has gone horribly wrong that this generation feels so bad. The world should be their oyster.

None of us wants to be the one to say it’s the smart phones, as none of us wants to be the pearl-clutching old fuddy-duddy that blames the colour TV or the latest computer game for all the ills in the world. But I don’t think it extreme to say that having the eyes of one’s peers and indeed the eyes of the entire world upon one 24-hours a day is not good for the soul and that equipping children with a device that makes this inevitable was an emphatically, catastrophically bad idea. Children (and indeed adults) need time out, time unsupervised, time unjudged to make mistakes and to mess up, without the whole process being recorded and played back on a loop until the day they die. I don’t know a single member of my generation that isn’t thankful they did not grow up with this and that we did not have our thoughts, ideas, fashion choices and beliefs held to account and digitally recorded to haunt us forever.

If I could gift the next generation with one thing it would be the right to dance like nobody’s watching. I fear we may have robbed them of this privilege we all took for granted a long time ago.

Photo by Adrian Diaz-Sieckel on Unsplash

Making a habit of it

“We are what we repeatedly do. Excellence, then, is not an act but a habit.”

Will Durrant, American historian, paraphrasing Aristotle

On the internet, where dodgy misattributions abound, this quotation is invariably ascribed to Aristotle himself. In fact, it is taken from historian and prolific author Will Durrant’s early 20th century work, The Story of Philosophy. In chapter 2 he examines Aristotle’s Nicomachean Ethics and summarises his interpretation as above.

Despite undoubtedly being a genius, Aristotle was a master of the practical over and above the theoretical, which is perhaps the reason why his ideas have endured so successfully. He was one of the few thinkers of his time to acknowledge that philosophy is a luxury: that certain physiological and indeed psychological needs must be met before one can dedicate one’s time to it. He argued that there was never a simple way to define anything, that even the most fundamental moral definitions can vary with circumstances. He also argued, as Durrant summarised so pithily, that living well comes to a large extent through the repeated automation of good habits, and that being theoretically good was not much use in isolation without action.

This week, I finished James Clear’s Atomic Habits, a spectacularly popular book I have been in the queue for at my local library for several months. Conscious of the even longer queue that came after me (it is next available in December!) I finished the book within a couple of days. This was not a difficult task. I can see why there has been so much fuss about it and why for some it has been genuinely revelatory. As a reasonably well-organised and self-motivated person, I would not go so far as to say that I found the book life-changing, but I certainly found it helpful and agreed whole-heartedly with his refreshingly pragmatic approach. To take just one example, he makes the point that people who appear to be good at resisting temptation (a characteristic that many of my friends claim I possess) are in fact merely better at avoiding it – ingraining the habit, for example, that you do not buy certain foodstuffs is always more successful than buying them and telling yourself that you will consume them in moderation: the latter is simply too difficult to achieve.

Above all else, Clear’s point is that successful people (and you can define “success” in whatever way you choose) develop good habits while others do not. This might seem obvious, but it is precisely his unerring focus on habits that is so radical. While other self-help manuals exhort people to find their motivation and attempt to inspire us to make dramatic changes in our lives, Clear focuses on advising us to develop better habits incrementally: to take advantage of our brain’s ability to assimilate and automate regular and repeated behaviours. For example, I have said to myself: “I will go to the gym at x time on a Monday and a Thursday every week.” How do I make sure that this happens? Well, Clear advises going when I can, whatever the circumstances. If I miss a session due to illness or emergency, it becomes even more important to ensure that I make it the next time. If I can only go for 10 minutes, I should go for 10 minutes. This is because the habit of going is what’s most important. To quote another oft-used saying, perfectionism is the enemy of progress: if I let my abstract desire to achieve the perfect full work-out every time I go to the gym dominate over the priority of simply going habitually, I put my long-term gains at risk. It is easy to use the fact that on any one particular day I simply don’t have time for the perfect workout as an excuse not to go at all. Instead, I should focus on developing the habit of attending come what may, even if my peformance is sub-optimal: the enduring habit is the path to life-long fitness.

One of the things Clear expresses beautifully is the limited power of motivation, something I have written about less skilfully here. I am a firm believer that motivation is difficult to come by and has limited value when it comes to the reality of the daily grind – for example, the regular gym visits necessary to attain fitness or the repeated vocabulary learning required to sit a Latin exam. Humans need to experience some practical gains before they can achieve any kind of motivation and even then motivation can fail. Clear mentions a discussion he had with a coach who trains successful weight-lifters. The coach attributed the difference between those who make it and those who don’t not to some bottomless pit of inspiration or self-motivation but quite simply to their tolerance for boredom: their capacity to stick with the programme of repeated lifts, day after day, without quitting. Fundamentally, that’s all that makes the difference.

One of my tutees, with less than a fortnight to go before their exam, suddenly interrupted our session to ask me about “the best way to learn vocabulary.” Now, I’m not saying there aren’t ways that are better than others, indeed I have written extensively about it and shared a practical guide to exactly that with him and his family months ago. But I know this particular student very well and he’s the sort that is always looking for a silver bullet. He’s the sort that wants a quick fix. The reality is this: there isn’t one. You. Just. Have. To. Do. It. A few words a day, every day, day in day out, over and again, until you’ve learnt them. This is what he has never been willing to hear and he wasn’t particularly thrilled when I said it again.

On my way to my first ever solo gym visit (yes, I made it!) I was stopped by a guy who was getting out of his car and wanted directions to the station. Rising above the urge to moan about London commuters who use our road as a free car park, I beamed at him and said I was going in that direction and would show him the way. “I’m heading there,” I said, pointing to the glowering gymnasium squatting next to Jewsons. “Although I’m not particularly thrilled about it.” What he said next precisely summed up Clear’s case in Atomic Habits. “I haven’t been to the gym for months,” he admitted. I told him that it was my first time going alone having lost my work-out buddy and that I wasn’t looking forward to it for that reason. “Ah!” he shouted, confidently, as we parted ways. “You just need to find your motivation!”

Coming from a man who had literally just admitted that he had failed to attend his own gym for months, I found this fascinating. He was probably looking at me and thinking that with my attitude I would never keep going. I lacked the motivation to be a proper gym-goer. As for himself, I suspect in his own mind he was just having a blip. Okay, a blip that had lasted for several months, but a blip nonetheless. He was motivated to go, he simply hadn’t had the time, recently. Work had been manic. But do you see the problem? I think I do. In all honesty, I do not feel motivated to go to the gym. I don’t want to go. But I’m going. That’s the point. It’s the same thing that got me through my PhD, which I hated every minute of; while others claimed to love their research and yet gradually fell by the wayside and quit, I dragged myself up every day, wrote a few paragraphs, cried a lot, and eventually finished it. The practical grind beats the theoretical, the habit beats the concept. Sometimes, the hamster on the wheel is the ultimate winner.

Photo by Drew Beamer on Unsplash

Hell on earth

I have entered into the jaws of hell, grasped the horns of Beelzebub, set foot upon the murky plains of Orcus and gazed upon the yawning chasms of Tartarus. Yes. I have joined a local gym.

It will be difficult for the uninitiated to comprehend the true extent of the horrors that crouch within the bowels of this threatening locale. We’re not talking luxury establishment here, we’re talking the most affordable end of the market: so affordable, in fact, that one finds oneself pondering exactly how it turns a profit for its owners. Are the fittest of the lycra-clad males somehow disappeared, kidnapped and butchered as unwitting organ-donors for the Diamond Membership gym-goers at David Lloyd? The cheap-tastic gym I’ve become a member of operates 24 hours a day: who knows what goes on in the early hours of the morning.

Simply entering the premises, which sits nestled next to Jewsons Industrial Supplies, is a challenge: one is provided with a PIN number and a QR code, which only veteran members seem able to operate with confidence. “Stick it under the wotsit” says a voice behind me, as I fiddle anxiously with my phone, my friend already through security and staring at me through the fishbowl doors. After a few more seconds of stress, I successfully scan myself into a sealed glass pod, inside which I wait for what seems like an interminable pause, trying to quell the rising panic that I might never be released from the upright glass coffin. After a few seconds, I am spewed out into hell.

WE ARE AN ALL-INCLUSIVE SPACE screams a metre-high wall-notice above a Huel dispensing machine, while the throbbing of intolerable, interminable and unidentifiable music confirms that this all-inclusive space is emphatically not for people like me. The hell-hole itself possesses all the worst qualities of a modern airport, combined with the most depressing establishments to be found in Vegas, Nevada; high ceilings, swirling carpet and synthetic air circulating around a room that never sleeps, no matter what the time of day. Glassy-eyed acolytes move around the equipment like drones around their queen, hovering and quivering with anticipation. Let the horrors commence.

First stop, legs. My ever-patient friend introduces me to a machine designed to supercede the need for squats. I assume the position, which appears to be the one favoured by brutalist midwives back in the 1950s – legs akimbo, knees bent and bottom up. “Put them on the pallet!” says my friend, as my feet flail erratically like the limbs of an upturned cockroach. “Push the pallet away from you as hard as you can.” I oblige, and the pallet fails to move, so my friend adjusts the machine to what must surely be its lowest possible setting, enabling me to gain some kind of purchase upon it. I strain my muscles. Nearby, an ashen-faced male in his 40s stares blankly ahead as he rows back and forth on the spot, AirPods bright white against his ears. Behind him, two younger men laboriously climb a pair of miniature revolving escalators in Sisyphean endeavour. This cannot be happening: I’m having a moment of existential dread and we’re only 5 minutes in.

More leg action with a new machine means using my front thigh muscles to raise a bar from ground level to knee-height. This is quite okay, but I veto the third and final leg-based apparatus, which requires one to lie face-down, spreadeagled over an A-frame reminiscent of the spanking horses favoured in boys’ boarding schools during the 18th century. There has to be a line somewhere, I decide.

The machines themselves are terrifying contraptions with indecipherable instructions, all sprung weights and glistening, wipe-clean leatherette. I survey them dubiously, pondering the fact that my friend had informed me of that morning, that the gym possesses a pool with no water in it. “Why?” I had asked her. “Well, the premises used to be owned by a more expensive brand, but the business model of this one doesn’t run to the cost of a swimming pool,” she said. So the empty chasm remains, presumably waiting for the surely inevitable moment when the gym-goers become overwhelmed by the need to throw themselves headfirst into the abyss.

Finished with the leg-machines, we investigate those designed to challenge the shoulders and arms. Most extraordinary is one designed to support users in attempting full-body pull-ups, a device so complex that I find myself whooshed uncontrollably into the air at the end of the set, dangling from its handles like a spider from a curtain. “There is a more elegant way to dismount,” says my friend, benevolently. “Put your feet on the footholds when you’re in the raised position, and climb down from there.” Of course.

Most of you are probably wondering why on earth I am putting myself through this hideous ordeal. Well, you may recall (I wrote about it here) that around 5 months ago I embarked upon a programme of resistance training with the friend who is guiding me through this chamber of horrors and, reader, I stuck with it. Against all predictions, with the exception of a couple of weeks away and one bout of illness, my friend and I have met twice a week every week since November and she has taken my embarassingly pathetic attempts and turned them into a really quite respectable performance of squats, lunges, push-ups and weight-lifting. My body-shape has changed considerably and I can do things I could not do 5 months ago. I have even tried my hand at dead-lifting and am currently managing 42 kilos (not bad for someone who weighs 47).

Sadly, all good things must come to an end. My friend has finished with a period of gardening leave and is about to embark upon a new, high-powered role doing clever things I don’t understand with sums of money I cannot comprehend for a company I’ve never heard of. As a result, she will regretably no longer have the time to supervise my own personal improvement path, so I am forced to find another outlet for my endeavours. Hence, with her unwavering support, I have set sail across the waters of Hades, with little to no idea as to whether I will honestly have the willpower to see it through in the longterm. We’ll see. My parents are appalled and have openly told me that I won’t stick with it. They may well be right. Yet a stubborn voice of self-knowledge in my head says that I’m more likely to work out if I have somewhere to go and do it; convincing myself that I shall do so in the comfort of my own home has not proved successful so far. My home is too – well – comfortable. So, the hell-hole it is.

Maybe I’ll be like Persephone, and manage to visit hell for at least half the year. Half the year is better than nothing.

Photo by Peter Leong on Unsplash

A picture is worth a thousand words

One of the most disquieting things about the world in which we find ourselves is that our eyes and ears can be deceived. In my younger years, I never would have believed this possible. I was raised on movies such as Clash of the Titans and One Million Years BC, so the idea that special effects would ever become genuinely convincing seemed ludicrous to me. Yet fast forward a few years to the advent of CGI and I was witnessing films such as Jurassic Park, so I guess I should have seen the next stage coming.

The advent of AI is genuinely unsettling. We already inhabit a world in which it is possible to make anyone say anything. Take an image of someone famous, take their voice, feed it into the right kind of software managed by someone with decent skills and bingo – you’ve got Sadiq Khan saying “I control the Met police and they will do as the London Mayor orders” and suggesting that the Armistice Day memorial service be moved in order to make way for a pro-Palestininan march to take place. Even Sadiq Khan himself agreed that it sounded exactly like him. It kind of was him. Only he never said it. So this is where we are.

One of the earliest cases of mass hysteria over a fake photograph took place in the early 1900s, when nine-year-old Frances Griffiths and her mother – both newly arrived in the UK from South Africa – were staying with Frances’s aunt Polly and cousin Elsie, in the village of Cottingley in West Yorkshire. Elsie and Frances played together in the valley at the bottom of the garden, and said that they went there to see the fairies. To prove it, Elsie borrowed her father’s camera and dark room and produced a series of photographs of the two of them … well … playing with fairies. While Elsie’s father immediately dismissed the photographs as a fake and a prank on the part of the girls, Elsie’s mother was convinced by them. The pictures came to the attention of writer Sir Arthur Conan Doyle, who used them to illustrate an article on fairies he had been commissioned to write for the Christmas 1920 edition of The Strand Magazine. As a spiritualist, like many thinking men of his time, Doyle was convinced by the photographs, and interpreted them as clear and visible evidence of psychic phenomena. He was not alone.

One of five photographs taken by Elsie Wright (1901–1988) and Frances Griffiths (1907–1986)

This week’s horrendouly doctored photograph of the Princess of Wales and her three children was an extraordinary example of incompetence on the part of the Royal family’s comms team. Into a world which is already somewhat alive with gossip about the welfare and whereabouts of the princess, they released a photograph so badly edited that it was immediately withdrawn by major news outlets such as Reuters and the Associated Press. Reporting in the mainstream media has remained broadly philosophical and seems to accept claims by the palace that Kate herself had simply been messing about with Photoshop, that the photograph is a poorly-executed mash-up of several frames. Those of us that hang around on the internet, however, will know that the incident has sent the world into meltdown, with theories as to the whereabouts and welfare of the princess going wild. Many people believe that the botched photograph is a complete fake that proves Kate is currently either unwilling or unable to be photographed for real. Some have even convinced themselves that she is dead.

In a world where trust in authorities is becoming more and more eroded, I wonder whether the advent of AI will make us more and more afraid. I am a little afraid myself. Photographs used to be damning evidence and fake versions of them so obvious that they held no sway in a court of law or in the court of (reasoned) public opinion. These days, not only can convincing photographs be easily faked, but this fact opens up what is perhaps an even more frightening prospect: that anyone will be able to get away with anything, simply by claiming that the evidence as to their guilt is faked. Caught me with my hands in the till? It’s a fake. Caught me on camera with the secretary, darling? It’s a fake. Caught me attacking that person? It’s a fake. I find myself wondering how any of us will ever be sure of anything in the future.