Keeping it short

New clients are often surprised by the fact that I recommend sessions of just 30 minutes. Many are swiftly converted to the idea when I give my reasons, but some remain deeply sceptical; I have even lost one or two leads as a direct result.

Given how critical many people are of the shortness of their own child’s attention span, and also given the fact that most people approach me because of the very fact that their child is struggling to cope in my subject, I do find it strange how bitterly wedded to the hour-long model some people are. I also find it strange how many tutors are still working to it.

The latter is perhaps easily explained: to be frank, it is easier as a tutor to fill your books and your time in hourly slots, as going with the half-hour model means that you have to source double the number of clients to make the same amount of money. However, I don’t believe that this is the reason why so many tutors are sticking to the hourly model, not least because I know so many who are already over-subscribed. I think it’s got far more to do with habit. We’ve always done it this way, so let’s just carry on. Some tutors to whom I have suggested the 30-minute model have reacted to the idea as if it’s some kind of revelation – it had literally never occured to them to tutor for any period of time other than an hour. Yet in the world of music teaching, for example, 30-minute lessons are really quite common.

The hour-long model for tuition is in many ways a hang-over from when all sessions were face-to-face and practicalities therefore came into play. Parents bringing their child to a tutor’s house probably preferred an hourly session; at least it’s enough time to nip round to the Co-Op and pick up a few basics, or do another quick errand. Half an hour would mean that they would probably have no choice but to sit in the car and wait. Yet these days, with online tutoring, 30 minute sessions are a viable, workable model and students gain untold benefits from working in this way.

Here are just a few of my key reasons for going with the 30-minute model.

  1. Most tutoring sessions are very intensive and can be taxing on the working memory, which is exceedingly limited. Over-burdening a child’s working memory is counter-productive and will hinder their progress.
  2. Tutoring is expensive for the client. Given what I have said in number 1, I truly believe that I am giving better value for money, because a child is more able to focus intensively for the whole session. Why pay for extra time that is potentially less valuable? This is why I recommend two sessions of half an hour if parents are really keen for their child to have an hour of my time – they pay me the same amount as they would at an hourly rate, but they’re getting better value for money.
  3. Not all children are exactly thrilled at the notion of spending extra time being coached in a subject that they are struggling with and/or that they don’t (yet) like. This is especially true of teenagers. A 30-minute session is a much easier sell to a disaffected, disgruntled Year 11 student, especially when they see how much progress they can make in that short time. I have had teenagers request to go up to two sessions per week once they realise the progress that they can make in a 30 minute slot. We must all try hard to remember what it feels like to be 14, 15 or 16 years old. An hour feels like an absolute eternity. I remember being almost in tears before double geography, just at the thought of the interminable boredom. (Sorry, Mrs Winslow).
  4. On a related note, 30-minute sessions also mean that I don’t get bored. Sorry if this is a shock to anyone, but tutors are human and we get tired during sessions as well, especially if that session involves the patient repetition and re-explanation of very simple concepts, multiple times, which it often does. I work with numerous students who need remedial help on very simple concepts. Keeping their sessions short keeps up the sense of urgency and the interest; I am fresh, focused and your child is getting me at my best.
  5. The 30-minute model means I can help more people. I currently have almost 40 students on my books and there is no way I could work with that many clients in hourly slots. I am already getting to the point where I am turning people away: while I do have some slots available, unless a parent can agree to a very specific time, I am currently having to pass them on to other tutors. If they have selected me for a specific reason (usually because they have read my website really carefully), this can be disappointing for them, however wonderful I know my recommended tutors are. I understand that, and I want to work with as many people as I can who want to work with me.

Finally, some thoughts about schools. While many schools work with hourly lessons, this is not true for all and indeed it is the most academic schools that tend to favour shorter lessons. The grammar school I used to work in had eight lessons per day, each one of 35 minutes. The pressure to get the students in, settled and working as soon as possible was high; as a result, every minute felt urgent and pressured, and that’s actually very conducive to a thriving learning environment. One of the biggest changes I noticed when I left this grammar school and joined a comprehensive was a terrifying lack of urgency when it came to lesson time. I remember being totally taken aback by a student who once commented “is it even worth starting this? We’ve only got half an hour.”

Many schools worry that the introduction of shorter lessons would lead to wasted time, as students will be moving between classes more often. In my experience, the exact opposite is the case. Shorter lessons put the pressure on both students and staff, and it’s easier to promote the sense that we must be making the most of every minute.

Image by Nathan Dumlao from Unsplash

Why is Latin difficult?

Latin has something of a reputation. Everyone thinks it’s difficult and indeed it is. But so is mathematics and so is any language once you get beyond “bonjour, je m’appelle Alain”. Grammar is difficult and still not explicitly taught in our own language to the degree that it is in many other countries.

So why do some children struggle with Latin over and above anything else?

One reason is the unfamiliar territory that the language presents to family and friends. Many parents and guardians feel able to offer some kind of support to their children in the majority of subjects, certainly in the early years. I work with many families who are thoroughly involved when it comes to the children’s homework and it’s true that many children benefit from adult support in their studies at home – during lockdown, this took on a whole new importance. Lots of families employ me because they care about their children’s studies and feel ill-equipped to support them due to their own lack of knowledge, and with only around two and a half percent of state schools currently offering Latin on their timetable, I don’t anticipate the situation changing in a hurry. As a result of the fact that so few people have any experience of Latin as a subject, it maintains a certain mystique, all feeding into its reputation for being inaccessible and challenging.

Furthermore, and at the risk of stating the obvious, Latin is an ancient language – and a dead one. What that means quite simply is that nobody speaks it any more. As a result, the content of what you are translating will often seem obscure to you, due to the fact that the world has changed rather a lot. The ancient world was very different from ours and much of what went on even in the most mundane aspects of daily life can seem unfamiliar or even bizarre. Add to this the fact that a lot of the time students will be looking at stories from ancient myths or founding legends and we’re in a whole new world of weirdness. This inescapable fact is captured rather brilliantly in this little meme, which has been circulating the internet for as long as I can remember:

Source unknown

The thing is, children generally like the weirdness and indeed the darkness. If you think that youngsters don’t like dark stories then explain the thundering success of an author such as Patrick Ness. Generally, children are not put off by the puzzling nature of what they are translating; but it certainly can contribute to their belief that the material is obscure.

So, we’ve dealt with Latin’s reputation and we’ve established that the inherent fact of it being an ancient, dead language may make it potentially difficult to access. On top of that lies the inesecapable fact that Latin as a language is very different from our own. The most important thing to understand about Latin is that it is a heavily inflected language. This means that word formation matters, but we’re not just talking about spelling here: we’re talking about the fact that the very meaning of a word is adjusted by its formation. In inflected languages, words are modified to express different grammatical categories such as tense, voice, number, gender and mood. The inflection of verbs is called conjugation and this will be familiar to students of all languages. However, in Latin (and in other heavily inflected languages such as German) nouns are inflected too, as are adjectives, participles, pronouns and some numerals. The inflection of nouns is called declension.

What blows students’ minds the most, in my experience, is how this inflection translates into English and how the rendering of that translation can be confusing. For example ad feminam means “to the woman” but in the sense of “going towards”. I might use it in a sentence such as “the boy ran over to the woman”. However, feminae can also mean “to the woman”, but this time in the sense of giving something to: so I might use it in a sentence such as “I gave a gift to the woman”. And that’s before we’ve even explored the fact that we also use the word “to” when forming our infinitive “e.g. “the woman likes to run”). Trying to unpick why grammatically different concepts sound the same in English is just one tiny example of a myriad of misconceptions that children can be carrying around in their own head.

Misunderstandings can arise everywhere. Imagine I’m in front of a class and I say “the dative case can be translated as “to” or “for” in English. Pretty clear, right? But if you were hearing a teacher say this rather than reading it, I wonder if you might have heard “the dative case can be translated as “two” or “four” in English.” I discovered this misconception once and it exemplifies perfectly why dual coding (providing a visual representation of what you are explaining, ideally formed in real time) is essential when it comes to grammatical explanations. What’s great about one-to-one tutoring is these kinds of misconceptions can be uncovered and rectified.

Due to its inflection, many Latin words can be difficult to recognise as they decline or conjugate, and this brings us to what many students can find the most disheartening aspect of the subject: vocabulary learning. If a student has worked hard to learn the meaning of a list of words, imagine their disappointment and frustration when this effort bears no fruit for them. A child may have learnt that “do” means “give”. Yet will they recognise “dant”, “dabamus” or “dederunt” as parts of the same verb? Without explicit instruction and support, probably not. This can be really depressing for students and can result in them giving up altogether. It’s also why parental support with vocabulary learning can only take a student so far. That’s where a tutor can help.

Furthermore, due to the inflection of the language, a Latin sentence has to be “decoded” rather than read from left to right – breaking the habit of reading from left to right is something I have written about before and it is without a doubt one of the biggest barriers to students’ progress in my experience. Working on this and supporting students with their ability to tackle each Latin sentence in the right way forms much of what I do as a tutor. Even when a child has worked hard to learn all of their noun endings and all of their verb endings, they still need a huge amount of support and scaffolding to show them how to process these and map them onto what they are translating.

I remain unsure whether Latin really is any harder than any other subject. I believe that its reputation is mainly to do with the fact of its obscurity and how few people have the ability to access it. While this remains the case, however, the demand for support and tutoring will always be high.

Why study Latin?

Despite my many years in this subject and the hundreds or even thousands of times I have been asked this question, I am always surprised by it. On the one hand people know that Latin is considered worthy of study by the most prestigious and elite schools in the country; on the other, they don’t see the point of it. Why on earth would institutions such as Eton College waste their time on a subject with little to no inherent value? It would seem surprising.

The worthiness of one’s subject is not something that a maths or an English tutor usually has to defend. Most people accept the need for these subjects, but most people – it seems to me – fail to ask themselves why. When pushed, they will usually respond that numeracy and literacy are essential life skills. They are right, of course. Yet still, I would argue, this affords no justification for the current state of affairs, which is that those subjects must be taken to GCSE level. When – assuming you’re not an architect or an engineer – was the last time you made use of your geometry? What about algebra? Have you recently been asked to compare and contrast two 20th century poems? No? I thought not.

The truth is that most subjects are “useless” to most of us, beyond the most basic of levels. Unless we enter a sphere in which a knowledge of those subjects is required – and most of us don’t – the knowledge we learn beyond the most rudimentary of functional skills is all of the higher order, not essential for survival in “the modern world” or indeed the ancient one. Yet these subjects are of immense value. The same goes for Latin.

Studying Latin helps with so many other languages. As the root of all Romance languages, it can help you find cognates when there appear to be none in the English language. For example:

LatinEnglishFrenchItalianSpanish
arbortreearbrealberoarbol
pesfootpiedpiedepie

Ah, I hear you cry – so what of it? Why study the dead language and not just its living derivations, noting the similarities between those languages as one acquires them? Well, the study of Latin is of value precisely because it’s a dead language – this means that it is taught to be read, not spoken, taught entirely through its grammatical rules, not conversational usage. Learning Latin promotes an understanding of the mechanics and structure of language. Someone who has studied Latin can use it to grasp the rudiments of any language – not just the “Romance” languages which have their origins in Latin but also others such as German and Polish, which have complex inflection like Latin does.

Latin also improves and enriches your English vocabulary. If your job is a sinecure, should you quit? If something is indubitable, what is it? What exactly is juxtaposition? (Most trained English teachers get this one wrong). What is an expatriate? Would you consider yourself to be audacious? These words are all easy to deduce if you know your Latin.

Modern sciences began their development about 500 years ago, when all (yes, all) scholars studied Latin and Greek, so the technical terms in biology, chemistry, physics and astronomy therefore derive from Latin and/or ancient Greek. To take one example: trees that lose their leaves in winter are described as deciduous — not an easy word, unless you know your Latin. A Latinist also understands why the plural of fungus is fungi and the singular of bacteria is bacterium.

Beyond the sciences, Latin is also the language of law and government — all legal and many political terms are lifted straight from the Latin. Here are just a few examples that you may have heard of … referendum; veto; habeas corpus; subpoena (pronounced suppeener); in loco parentis; de facto; de iure; caveat emptor; pro bono; quorum; quid pro quo; ad hominem; non sequitur.

Still not convinced? Well, learning Latin enables you to read the great Roman writers, from Virgil to Cicero. These men lie at the head of the western tradition in writing from Chaucer to Shakespeare, from Milton to Keats and beyond. When it comes to understanding English, Irish and American literature, a knowledge of Roman literature puts you at an incalculable advantage over other students; I genuinely struggle to comprehend how anyone can study Western literature at a high level without this knowledge. If you think you understand Milton and you haven’t read Virgil in the original Latin … then I’m afraid you don’t really understand Milton.

There is a reason why Latin is highly respected by the top universities and has one of the strongest recruitment rates in business and commerce as well as in the law and in politics. Latin teaches you to think precisely and analytically and develops your intellectual rigour. This, combined with the fact that no one can even begin to understand the purposes and merits of Western culture without a grasp of its Classical origins, makes the study of Latin a sine qua non.

One-to-one tuition

What is the benefit of working one-to-one with a student, and why does it trump group work every time? This is a question I have been pondering this week, as I listened to two podcasts aimed at private tutors, both released on the same day, both making the case for tutors like me to make the shift into setting up groups for online tuition. The podcasts were great. The group tuition model? I’m not so sure.

With the explosion of online tutoring into what amounts to one of the fastest-growing corners of the gig economy, I find myself and my recent career-change somewhat on trend. As usual, however, I also discover that I am swimming steadfastly against the tide. Well, thank goodness for that; being in the zeitgeist is definitely not something I’m used to and I’m more of a heckler than a celebrity.

Many online tutors are expanding their businesses into groupwork, to the extent that some are abandoning the one-to-one tuition model altogether. The reason seems obvious; as one parent pointed out to me when they first got in touch to seek help for their daughter, I could make a lot more money if I worked with several students in each slot. This does, of course, rely on there being a high-enough demand for a certain kind of tuition at a particular level: to be frank, in my rather niche subject – taught in only around 2.5% of state schools – I am not sure that’s ever going to be the case. I do have one group of three, which arose because a parent contacted me directly with the request that I work with three children of the same age who were all ab initio and wanted to learn together: in that circumstance, with three friends at the same level who are all keen to start a new project together, the model works very well and I’m enjoying it. But with remedial tutoring (by which I mean the process of supporting a student who has come to you because they are struggling), I have serious doubts. Firstly, I doubt that demand is high enough in my subject but secondly – and I am still idealistic enough to say more importantly – I do not believe that group tuition is a good model when it comes to making that kind of difference to an individual child’s progress.

One of the absolute joys in switching from classroom teaching to one-to-one tutoring is the incredible privilege of taking a child from the bottom of their class to the top. Taking a child who is failing and turning them into one who can achieve the highest of grades. Taking a child who hates your subject and turning them into a GCSE candidate. Taking a child who has been hiding at the back of their classroom for so long that they need a huge amount of coaching and coaxing before they find their feet. One parent told me that their child was coming home in tears after their Latin lessons because they simply had no idea what was going on in the class and had no idea how to access the learning; after working with me, that child went on to choose the subject at GCSE and achieve a very good grade. One of the client reviews I am proudest of reads “you have turned despair and dismay into enjoyment and enthusiasm”. Another says simply “your lessons were transformational.” None of this could be achieved without the one-to-one model. I stand by that. I simply cannot accept that you can take a child who is failing dismally in a subject and get them a top grade without working with them closely as an individual. It’s what tutoring is all about.

I have written before about the power of tuition and the overwhelming benefit which comes from the opportunity to delve in and unpick a student’s understanding – or rather their lack of it. A good tutor will uncover a whole raft of small misconceptions or gaps in a student’s knowledge within the first session. I likened a student’s developing knowledge of a subject to a wall; students who come to a tutor for help have often got bricks throughout that wall that are either misshapen or missing altogether, causing the whole structure to be at risk of collapse. One-to-one tutoring diagnoses the problems, finds the missing bricks and provides the repointing, replacement and reinforcement required. No amount of rhetoric will ever convince me that the same can be done in a small group. Of course, small group-work is great and you can achieve much more than can be achieved with a class of 30; but it still can’t beat the one-to-one model.

Quiet students can often suffer the most in the mainstream classroom – they can fall behind without being noticed or can have enormous potential in a subject – again, without being noticed. A good tutor (and indeed a good classroom teacher) is an excellent reader of body language. I’ve thought a lot in my work about non-verbal cues, those tiny indications that an individual student can give off when they’re not following something – a twitch of the mouth, a furrow of the brow. In a one-to-one session, that’s my cue to pause and rewind and it’s an absolute joy to be able to do so. In the classroom, not only did I not have the time to respond to every non-verbal cue but the reality of a large class meant that I more than likely missed the majority of them. Due to a quirk of timetabling which I won’t bore you with, I once ended up with an extra Year 9 class of 5 students. Yep. Five. I had another group of 24 and yet another of 28 and one of 5. Ask the previous Head why that ridiculous situation arose. Of course, the children in the group of five progressed – on average – better than those in the two larger groups. But it still wasn’t one-to-one tuition and they still didn’t progress as well as they would have done had each of them – in some kind of fantasy parallel universe – had a good private tutor as well.

I have no desire to stand in the way of progress and if enough online tutors are finding that there is enough demand for small-group tuition in their subject and can get decent results with that model then good luck to them. For me – and this is perhaps because I have spent far longer at the chalkface than any other professional tutor I have met so far, I do not believe my heart will ever be in it. I came into tutoring in the sure and certain belief that the one-to-one model is absolutely unbeatable when it comes to building a child’s confidence, tackling misconceptions, breaking down the mindset that they “can’t do it” and launching them onto a new path of success.

For me, nothing else will ever be as rewarding as that.

WJEC or OCR GCSE specifications?

As a career-long devotee of the OCR specification, for various reasons it is time for me to get to grips with the Eduqas (WJEC) specification. I am aware that my successor at the large comprehensive I used to work in is going to switch to WJEC and given that A level Latin is no longer available in our area (unless you go private) I fully support his decision and would have taken it myself. For my own part I’d like to be able to offer support to students taking both specifications, plus a home-schooled boy I am working with now will – I believe – respond much better to the WJEC course.

Given my need to concentrate on the finer details of the differences between a specification that is new to me and one which I know like the back of my hand, I decided to focus my mind by writing up my findings in a blog post. There’s nothing like having to explain something in your own words to make one concentrate. This is, by the way, a recognised truth when it comes to learning: simply reading something or even taking notes from a source is unlikely to aid your understanding. Putting your source to one side and then trying to explain it in your own words has been proven to be a much more powerful way to ensure that you will remember what you are studying. This is because our memory is reconstructive rather than reproductive; memory works (and therefore improves) by continuously regenerating what it remembers, so forcing yourself to reproduce in your own words something you’ve read about is a challenging but effective way to ensure that your newfound knowledge will stick.

So, here are my findings. If you’re interested in the full range of qualifications available in all Classical subjects at all levels in the UK, Steven Hunt provides a really useful overview in a 2020 article for the CUCD, which is publicly available. He discusses the specifications available for A level, the IB and beyond.

General overview

A GCSE qualification in Latin and accredited by OfQual for use in English state schools is offered by OCR and by Eduqas, which is the examining body of WJEC accredited for use in England. AQA used to offer a GCSE in Latin but this was discontinued before the new GCSEs were launched in 2018. Both OCR and WJEC have shared criteria, which are dictated to them by OfQual: the number of examination papers (three) and the length of those papers, the minimum length of the literature that must be studied in the original Latin (around 200 lines), plus a choice between an element of prose composition or questions on grammar and syntax. There is no coursework or controlled assessment and the examination must be linear, not modular – in other words, it must be sat as a series of final examinations at the end of the course. Despite these prescriptions, the two examination boards still provide some considerable variation, which I examine below.

Compulsory language paper

The language paper, compulsory in both specifications, lasts for an hour and a half and makes up 50% of both qualfications. Both specifications have a set vocabulary list and both of them state that students will be tested through translation and comprehension, plus a choice between some grammar questiona and some short prose-composition sentences (for which there is a restricted vocabulary list and a restricted grammar list). Both boards test students’ knowledge of the accidence and syntax laid out in their specifications and this is where the differences lie: the demands placed on students by the WJEC language specification are notably lighter than those expected by OCR.

Both specifications call for a knowledge of all five declensions – in reality, this means a focus on declensions 1-3, as the words from the defined vocabulary list in the 4th and 5th declension are vanishingly few. Similarly, both specifications expect a knowledge of all forms of adjectives, including their comparatives and superlatives. However, there is considerable difference between the two boards when it comes to a knowledge of verbs and all their derivative forms: OCR theoretically demands the indicative forms of regular and deponent verbs in all voices and tenses except for the future perfect; in the subjunctive it requires the impefect and the pluperfect. WJEC, when it comes to the passive voice and deponents, demands only the present, imperfect and perfect passive and deponent verbs in the 3rd person indicative! I had to read this several times to make sure I was reading it right. So, no pluperfect passive and no passives of any kind in the subjunctive and they will only need to recognise passive and deponent verbs in the 3rd person. When it comes to the syntax, the basic uses of the subjunctive seem to be identical with the expectations of OCR.

Participles? OCR expect the lot, whereas WJEC do not list the future participle as an expectation. They also state – and brace yourself here, if you’re an advocate of the OCR syllabus – that the ablative absolute is not required. I am still reeling from this. No ablative absolute. I mean … wow. It goes on. Another shock came when I realised that WJEC only expect students to recognise the present active infinitive – no others. This means that their testing of the indirect statement will be very basic and the relevant rules for the sequence of tenses will be very easy to teach.

Other smaller differences in the expectations for the language paper remain, such as WJEC does not include malo in its list of irregular verbs, unlike OCR. Likewise, the verbs sum and possum are only required in the present and imperfect indicative, present infinitive and imperfect subjunctive for WJEC. These differences may seem minor but in reality it means that there is a massive stack of knowledge not required by WJEC. The fact that students end up with the same qualification does give me pause, and were I teaching with the aim of preparing students for A level then I would stick with OCR. However, with the removal of A level as an option in my local area then my successor’s decision to switch to WJEC is entirely correct: it would almost be madness to do otherwise.

Literature and culture: with options:

The boards differ further in the way they lay out their literature and culture papers. For OCR, candidates must be prepared for two out of the following three options, each worth 25%: prose set text, verse set text or Roman literature and culture in translation. This means that all candidates must study one text of around 200 lines in the original language, and many will study two. Personally, I always taught both set texts as I hated the vagaries of “just teach them some stuff about slavery/daily life”.

WJEC lays things out a little differently. Their “Latin literature: themes and sources” paper is compulsory and worth 20%. Teachers have a choice of theme but whichever they choose consists of a mix of both prose and verse texts in the original language. There is also some supporting material, which is designed to place the texts in their cultural context. For the final paper, worth 30%, teachers can choose to prepare their students for “Latin literature narratives”(basically more set text work, mostly in the original with some sections in translation), or they can choose the “Roman civilisation” element, in which students study some general themes and sources all in translation. Personally, I will be avoiding that for the same reasons as I avoided the cultural background paper with OCR.

A key difference in approach to the literature between the two boards is that OCR literature examinations are closed book, which means that the students need to know the texts really well – frankly, they need to know them off by heart. WJEC take a rather different approach by making their examinations open book, meaning that students are provided with a clean copy of the Latin text plus the vocabulary list. In terms of teacher preparation and school investment, the very fact that WJEC provide the the texts and the vocabulary online as a PDF download is in itself quite a revelation – OCR leave you to get on with it all by yourself. That said, there is no set translation provided, so teachers will still need to prepare their own working translation and/or one for their students.

I am keen to reach out to teachers who are more experienced in preparing their students for the WJEC literature as I am as yet unsure how much they feel their students should rely on the texts in the examination. Something I recall from doing open-book examinations back when I sat my A levels is that you really don’t have time to be looking too many things up, so in reality you still needed to know the text like the back of your hand. I am also not sure how much advantage it will give students when the text is all in Latin; surely they still need to know a translation really well, since none of them will be truly capable of translating real Latin on sight (especially if they haven’t studied the OCR language specification!)

So, my mission now is to do so and start making as many friends as I can with the WJEC advocates. I am looking forward to the process. I am also excited about the prospect of working with different texts and I like WJEC’s decision to include supporting material, which forces teachers to contenxtualise the texts for their students; OCR’s approach encourages robotic rote-learning, which always felt like something of a shame. So, calling all teachers of WJEC – where are you? I’d love to learn from you.

Roman brutality

How much is too much for Year 7?

Regular readers of my blog will know that I have various issues with the new(ish) Latin reading course entitled Suburani. I’m not a fan of the way it approaches the grammar and the clients I have had from schools who have adopted it have all come to me in a state of bewilderment – they have little to no understanding of what they have been learning and their grasp of morphology is woeful.

One aspect of the course that I have found worthwhile – and what is attracting schools to it – is its portrayal of Roman suburban life. There is no idealism and no “whitewashing” here, no triumphalist focus on the easy lives of the wealthy Roman elite. Life is harsh and often desperate; the insulae offer filthy and dangerous accommodation to vulnerable families, a racket run by corrupt landlords on the take, men who are themselves frequently in debt to a wider system of corruption; some appear to be battling with a gambling addiction. There are beggars on the street. Most powerfully of all, we see the reality of how wonders of the ancient world such as the public baths were built and maintained: by slaves under the ground, soot-covered and scorched from the heat of the furnace, contaminated by their time spent in close contact with the sewerage system. Bravo, I thought.

And yet …

During my preparations for working with one client I found myself taking a closer look at chapter 6. The final story in this chapter is a continuation of one called fuga (“flight” or “the escape”), in which two slaves unfortunate enough to be working the fires underneath the baths make a desperate bolt for freedom, slipping out through the sewerage system by night. They are spotted and chased by dogs, which the guards send after them. One of them (named Gallio) is caught immediately and questioned; the other is caught a few days later. Below is a screenshot from the online version of the text book, followed by my suggested translation:

Screenshot from Suburani, fuga, pars secunda, at the end of chapter 6

The guards torture the slave for two hours. At the third hour, the guards take a branding iron out of the furnace. They bring the branding iron towards Gallio and mark his head. The pain is unbearable. There are three letters on his head.

For three days and three nights, Thellus runs. On the fourth day the slave sleeps in a field. At the first hour, two farmers see him. The farmers capture Thellus and take him to the guards. The guards smile. Thellus is terrified.”

Suburani, fuga, pars secunda, pg. 98

I have never been one to romanticise the ancient world, indeed many students have found my endless attempts to remind them of its disappointing realities somewhat irksome. It is not acceptable – I believe – to let them stare in wide-eyed wonder at Roman feats of engineering, without taking a moment to remind them exactly who did the back-breaking, life threatening, life-shortening work which made these structures a reality. I think it’s hugely important and I have done this throughout my career.

The fate of Gallio and Thellus is entirely authentic. Slaves of this type were of little monetary value and – another thing I like to point out to students – monetary value was a reasonable barometer of how a slave would be treated in the ancient world. Slaves used for unskilled manual labour were worth the equivalent of a few pence and were bought and sold in bulk. Pile ’em high, sell ’em cheap. That’s the grim reality, I’m afraid. The recapturing and surrendering of Thellus by farmers also illustrates yet another thing that I like to emphasise: slavery was not an illicit trade exploited by an extremely wealthy minority who considered themselves above the law; it was the establishment, an integral part of the machinery of daily life, accepted and sustained by everyone, questioned by no one. Some of the most brilliant minds that sprung up in the ancient world, when they turned their philosophical skills to the question of slavery, overwhelmingly spent their time arguing in favour of it: some people are born to be slaves, said Aristotle, the father of the scientific method. In the ancient world, if you found a slave, you caught him, you handed him in and you pocketed the reward should there be one. Everybody – and I mean everybody – was complicit. The branding on the face? Standard punishment for runaways, so that everyone could watch out for them in the future. Barbaric? You bet. Never let anyone tell you that the Romans were civilised. Have I told children all of this in the past? Yes, I have.

Yet the story of Gallio and Thellus worried me, due to the very fact that empathy is so deliberately and so successfully invoked. I was shocked by it, even though I knew that this kind of thing happened to slaves with horrifying frequency. Would I want a child of mine to read and understand this story at the age of 11? I’m honestly not sure that I would. The stories in Suburani invite very young children to empathise with characters which are then subjected to lengthy torture. There is a fine line in teaching between asking students to acknowledge brutality and expecting them to process it on an emotional level. In our eagerness to break through the natural cynicism of modern youth, we should not forget that we are dealing with children; children who are indeed subjected to a 24-hour rolling backdrop of horror across the globe, thanks to modern systems of mass communication. It seems undeniable that we are facing a crisis of mental-health issues in teenagers, and I’m not sure that we should be quite so gung-ho when it comes to provoking their emotions in this way.

There will be many Classics teachers out there who disagree with me and I am keen to hear from those using Suburani in the classroom. Perhaps I will change my mind. But as things stand I am disquieted by its content and concerned that some children will be disturbed and distressed by this no-holds-barred approach. I believe that the truth can and should be told about the ancient world without what I see as a genuine risk of harm. Trauma is such an over-used word in modern education that I hesitate to suggest it, but I feel it’s appropriate here. Let’s not forget that our children are entitled to just a little bit of innocence before the world truly reveals itself in all its barbarity; we certainly shouldn’t underestimate their ability to grasp it, and I for one am not entirely sure I want them feeling the full weight of its horror at the age of 11.

The problem with pronouns in Latin

Latin is a heavily inflected language. Inflection is a process of word formation by which the word is modified according to its grammatical category. For verbs, inflection (called conjugation), means that the ending (and in some instances the stem) of the verb will change according to tense (e.g. present or future), voice (active or passive), person (1st, 2nd or 3rd) or number (singular or plural).

English is different. English relies heavily on pronouns to identify who is performing the action of a verb. For example, let’s take the verb “to warn” in the present tense. To conjugate this English verb, I need to use a series of different pronouns to express whoever is the subject of the verb – there is only one small change (in the 3rd person) to the ending of the verb itself:

1st person singular: I warn
2nd person singular: You (sg) warn
3rd person singular: He/she/it warns
1st person plural: We warn
2nd person plural: You (pl) warn
3rd person plural: They warn

Latin is completely different. Latin has no need of a personal pronoun to express whoever is doing the action of the verb. The same verb in Latin will conjugate as follows:

1st person singular: moneo
2nd person singular: mones
3rd person singular: monet
1st person plural: monemus
2nd person plural: monetis
3rd person plural: monent

One of the most important things for new students of Latin to grasp is this fundamental difference, for it has varied and complex effects upon their ability to read and translate the language competently. To become a confident Latinist, a student must break the habit of reading from left to right and learn to prioritise finding the verb (usually, although not always, at the end of the sentence).

The habit of reading from left to right is extraordinarily difficult to break and students will usually revert to it when under pressure, despite “knowing” their verb endings. For example, a novice will naturally tend to translate the sentence “puellam monemus” as “the girl warns”. But the -mus ending on the verb tells us that it actually means “we warn”, therefore the sentence translates as “we warn the girl”: the fact that the girl is the object, not the subject of the verb, is also something that can be deduced from its case ending, but that too tends to go out of the window when a novice is faced with a sentence such as this – and that’s precisely because we naturally read from left to right. No other reason, really.

It seems to me that the authors of virtually all the Latin reading courses that have made it through the traditional publishing process are either in complete denial about this fundamental difference between English and Latin, or they are utterly deluded in their apparent belief that it really isn’t that difficult for children to let go of the habit of reading from left to right – even though it’s a routine they have been trained into doing habitually from the age of 4 or 5 and is therefore deeply ingrained. Reading from left to right is, for every child – however hesitant a reader – a custom which will have slipped entirely into their unconscious mind; no child picks up a book and starts reading a sentence from the middle or the end.

In my criticism of published reading courses I am thinking in particular of courses such as The Cambridge Latin Course and the much more recently published Suburani, which is so markedly CLC 2.0 that I’m surprised its creators haven’t been sued by Cambridge for plagiarism. Both courses use subject pronouns from the outset (and throughout) as a prop for students to hang their understanding upon. Since pronouns – when used as the subject – appear at the beginning of the sentence, students are actively encouraged to continue with their natural instinct of reading from left to right. This, to be brutally frank, is simply disastrous for their potential as future Latinists.

Here are just a couple of examples from the very first few pages of Suburani (and therefore part of students’ early introduction to reading Latin stories):

ego multum cibum habeo (“I have a lot of food”): what is ego doing there? Why not force students to look at the ending of habeo instead?

tu psitaccum habes (“you have a parrot”): what is tu doing there? Don’t get me started on why the students are learning the Latin for “parrot” in their first few lessons. It may not surprise you to know that it doesn’t come up very often and it’s certainly not a word they will need at GCSE or are likely to need at A level.

ego cibum vendo (“I am selling food”): sigh.

tu amicum habes (“you have a friend”): etc etc. You get the idea.

In all of the above sentences both ego and tu could be removed in order to force students to look at the verb ending. So what are they doing there? It seems to me that they serve no purpose other than to encourage students to read from left to right – excactly the opposite of what they should be doing. This more than anything is my fundamental objection to how courses such as these are designed; I have plenty of other objections too, but this is the one that irks me the most. The authors of these courses are so determined to prove their misguided belief that students will learn how to read Latin via some kind of process of osmosis that they are prepared to lull them into a false sense of security by guiding them to approach Latin sentences in entirely the wrong way. From day one.

In my final few years at the chalkface and as we hurtled into lockdown, I was faced with the prospect of converting all my Latin lessons for online learning and the need to put work on screen. On our return to school I did not have enough text books to go around and was told that they could not be shared between bubbles. Since I had to get all of the stories up onto the screen, this, I decided, was the time to grasp the bull by the horns and edit all the cartoons and the stories in the Cambridge Latin Course to remove all the pronouns and therefore force students to look at the verb endings. I made other fundamental changes too, but this was the one (I believe) which has had the most tangible impact on students’ understanding. One of the most exciting things was the moment when I realised that students were so well-drilled in the process of finding the verb and translating the inflected ending that a strange consequence arose: when first introduced to sentences that had a noun for a subject like “puellae monent” (“the girls warn”), students often translated it as “the girls, they warn” then looked puzzled. Hallelujah. Once it was explained to them (and reiterated several times) that when a sentence contains a subject such as “the girls”, this replaces the pronoun (they) in their translation, there was no problem.

The habit of reading from left to right is so ingrained that it remains something which students need to be reminded of constantly. Once drilled in inflection, however, I find that even with the weakest students, all I need to do is point at the verb ending and they immediately adjust their translation to reflect the verb ending. This gentle process must be repeated again and again. It comes after weeks, months, years of drilling them on their verb endings. All of my students, even the weakest in the class, were able to write down their verb endings from memory and could tell me what they meant. The biggest chaellenge remained breaking that reading habit, but at least my refusal to let them rely on the subject pronoun has given them a fighting chance. By the time students reached the end of Year 8 and the start of Year 9, the habit was all but broken.

That’s how long it takes and that’s how important it is.

Which Latin course book do I choose?

Like most difficult questions, there is no straightforward answer to this. The variety of books now available to support and supplement the learning of Latin is quite remarkable, but very few of them are suitable for independent learners; many of the text books available are designed for use in schools, which makes them somewhat challenging for an independent learner to follow. But do not despair, there are courses out there and support is available for those studying alone or working with a Latin tutor.

The more traditional grammar and translation methodologies used by Latin teachers have been attacked for decades since the progressive movement in education decided that everything that smacked of The Old Days was A Bad Idea. However, if the main goal of learning Latin is to be able to translate the texts that the Romans wrote (and I fail to see why else one would bother!) then I’m afraid you need to learn how to do it. I’m sorry if that comes as a shock to anybody. For this reason I am not a big fan of the so-called “reading courses” which, far from being a course in anything, rather expect grammar to be learned through some kind of magical osmotic process. If you want a Latin tutor that pretends the grammar doesn’t exist in the interests of making the subject somehow more appealing in unspecified ways, then I’m not the one for you! Latin is hard, and shying away from the grammar is doing children a grave disservice in my opinion; you may fool them into thinking that it’s nothing but colourful stories for a while, but if that’s your only plan for winning them over then they’re going to be seriously upset with you when they get to the ablative absolute. Plus, I’ll let you into a little secret: children aren’t only motivated by fun: they are also motivated by challenge, so long as they are given the tools to succeed. I have taken numerous students from loathing to love, simply by demystifying the grammar for them. Give them the tools and they will fly.

Anyway, I digress. Below I take an (admittedly irreverent) look at the Latin text books most commonly used as core text books for Latin teaching in schools, including the most recent additions to the canon; but for our review to be complete, we need to start right back in the 1970s …

The Cambridge Latin Course (first published in 1970)

The oldest of the “new style” progressive Latin text books and the one that everyone’s heard of. If I had a £1 for everyone who has asked me whether Caecilius is still in horto I’d be a wealthy woman. Why is it so popular? There is something magical about the first book and even I can’t quite explain it. For some reason, the students just love Caecilius. Who knew that a middle-aged white banker could inspire such joy amongst the youth of today? But somehow he does, and there is the problem (or one of them at least); the students never really get over the loss of Caecilius at the end of Book 1 and they lose interest and heart from the second book onwards.

In the latter half of my career as a Latin teacher in schools I tackled this head-on, writing more stories about Quintus, the son who survives the eruption and carries the narrative forward; this approach meant that students were more invested in the character of Quintus and felt the loss of Caecilius less keenly. In the original version of Book 1, Quintus plays a very limited role and in one famous scene, which I decided to delete, he punches a dog! (Yes, really! Not the way to win the kids over, in my experience). So I invented a whole new storyline in which Quintus falls in love and tries to elope with the household slave-girl Melissa, but then loses her in the chaos during the eruption of Mount Vesuvius. I then spun out the story of Quintus grieving her loss and ultimately finding her again as a replacement to the thoroughly tiresome stories in Book 2, all of which I ditched.

Aside from the fact that the books decline in their ability to hold students’ interest, the Cambridge Latin Course also falls down on the grammar, as pretty much everyone who isn’t invested in the publications will now admit. All Latin teachers who use this course supplement the grammatical content to a greater or lesser extent, and who hasn’t been frustrated by the fact that many of the chapters introduce a new grammatical concept and then give a load of exercises about something completely different? It truly is weird. I took my grammarisation campaign much further in later years, re-writing the stories I still used to remove all the personal pronouns (which forced students to focus on the verb ending, an essential skill in Latin translation) and replacing some of the more bizarre vocabulary choices with selections from the OCR GCSE list. By the time I’d finished with the course it was something completely different: a grammar course with the characters of the Cambridge Latin Course as a backdrop.

While the Cambridge Latin Course has started so many students off on their love-affair with Latin, it was never enough to carry them all the way to GCSE and beyond without some serious supplementation on the part of the teacher. If I were starting my career again as a classroom teacher, I’m not sure I would choose it. The much-awaited 5th edition is being launched as we speak, in which the authors have addressed the lack of strong female characters (Quintus gains a sister) and also the pervasive narrative of the “contented slave”, which without question dates the series, as does the fact that all the female characters tend to fall into the stereotypes observable in 1970s situation comedy: pretty girls and nagging wives.

Ecce Romani (first published in 1971)

It seems that vanishingly few schools use this series now, although it appears to have some popularity as a homeschooling text in the US. Ecce Romani was another reading course designed in the 1970s but just like the Cambridge Latin Course it has been updated in terms of appearance (less so in terms of content). I have tutored only one boy whose school is still working with this series and he hated it (although I suspect he would have hated it whatever the teacher had chosen!) One thing to be said for Ecce Romani is that – unlike its rival – it did a much better job of portraying female characters with prominence from the beginning, something that the Cambrigde Latin Course is only just addressing now in its 5th edition: this is pretty poor given that the 4th edition came out in 1998: not exactly the #metoo era, but not exactly the dark ages either.

The Oxford Latin Course (first published in 1987)

The Oxford Latin Course was published, I am told, as a direct answer to the problems with the Cambridge Latin Course, yet I fail to see how it addressed any of them. Do any Latin teachers use this course any more? Genuine question, as I have not heard of a Classics department that does so for some time. I did my second training placement at Brentwood School in Essex and that was my sole exposure to the text book, which they used with their KS3 and KS4 students. The Oxford Latin Course was at the time (and we’re talking more than 20 years ago now) the less commonly-used but well-respected alternative to the Cambridge series as a Latin reading course. Generally it was considered to be a little more challenging and robust on the grammar and certainly it introduced concepts such as 3rd person verbs without a subject much sooner than the Cambridge Latin Course; it also included some mythological stories, which the students enjoyed. Yet as an “answer” to the problems in the CLC? No. There is still too much expected on the part of the student, no clarity of exposition and very, very little repetition: this is the main problem with all the so-called “modern” reading courses – they consistently fail to grasp that the only route to full understanding is repetitive practice.

Still, it might seem a little puzzling why the Oxford Latin Course never really took off to the same extent; my suspicion is that it simply wasn’t as obviously engaging as the first book of the Cambridge Latin Course, and – for better or for worse – engaging is what teachers were looking for in the 1980s. As the CLC surged in dominance throughout the 1980s and 1990s, schools that had invested in the OLC must have felt like they’d been the ones to buy a Betamax instead of a VHS.

Suburani (first published 2020)

Suburani was heralded as the Cambridge Latin Course for the 21st century and it certainly continues in the fine tradition of the CLC in making the grammar thoroughly obscure. My heart sank when I first opened the book and found it repeated exactly the same mistakes, not least the immediate introduction of a plethora of declensions and conjugations right from the outest, sending all students into guaranteed cognitive overload when it comes to morphology. Likewise the introduction of the 1st, 2nd and 3rd person but with no grammatical terminology used (why not?) plus the consistent use of the pronouns ego, tu, nos and vos in translation passages, meaning that students will fail to focus on the verb ending and will never develop the habit of examining the verb first. Talk about setting them up to fail. Add to this the constant use of prepositional phrases, with the ablative case completely unexplained and ignored, and this is simply the CLC with all its mistakes on auto-repeat. So why have some schools bought into it with alacrity? Well …

Suburani was a brave attempt at producing a Latin text book that would satisfy teachers who crave a richer and more diverse reflection of Roman society, with women working (not just sitting in the atrium), the realities of urban life (dangerous yet expensive rooms in insulae, beggars in the street, chatting in the latrina) and society as a whole being a little bit less middle-aged white banker territory. I applaud the sentiment and there is much that I think is genuinely laudable, for example the focus on the slaves who worked in the heat and the dark below ground to run the public baths; the slave labour that produced and maintained the apparent “wonders” of Roman invention is something I have always endeavoured to remind students of.

Yet one quick search for reviews of Suburani throws up plenty of people keen to tell them that they’ve got it all shockingly and offensively wrong again; such is the issue with marketing yourself as the go-to choice for people who crave diversity and universal representation in all things – they’re pretty hard to please. (This blog is my personal favourite of all the reviews that address how apparently “problematic” Suburani remains).

My reaction to Suburani is I like it as an attempt to reflect Roman society more honestly. I have no personal experience of using it as a classroom text book but have worked with several tutees who are using it in their schools: they’re all at sea with the grammar, which is why they need my help. Quod erat demonstrandum.

De Romanis (first published 2020)

There was much to recommend this Latin text book when it came out and I seriously considered switching to it as a classroom teacher. Latin grammar is tackled in methodical detail and the text book is supplemented with a far more comprehensive range of grammatical exercises, reducing teacher workload for sure and certainly going some way to address the lack of repetition, which is a consistent fault in all of the courses above. Translation is promoted from the outset and students are explicitly taught dictionary skills. When it comes to engagement, there is considerable focus on gods and goddesses, a subject hugely popular with youngsters and strangely not exploited in full by other modern courses. The layout is also much less cluttered than that of Suburani, which has come under fire for its chaotic appearance.

However (I bet you knew there was a however coming) there are a couple of reasons why this much-heralded new text book with a more robust approach to grammar didn’t quite win me over. I felt that the decision to introduce the perfect tense before anything else was a mistake in a book that claimed to have grammar at its heart and I really couldn’t get past that. In addition, I don’t know if every single Year 9 class in every school other than mine has children that are infinitely more mature than the ones I have taught over the last 21 years, but for me the “willy count” was simply way too high for my Year 9 students to cope with: yes, yes I know that most classical representations of the male form were full-frontal, but really: I simply couldn’t bear the thought of the inevitable sniggering, I’m afraid.

Latin to GCSE (by Henry Cullen and John Taylor) (first published 2016)

Now this is a serious tome and my goodness me the tutees I have worked with that are using this course at KS3 are challenged. In terms of its focus on grammar and detailed unpicking of morphology and syntax, this course is by far the most robust that I have found that is aimed at the secondary sector. It is also the first of its kind in that this text book is co-written by the Chief Examiner for GCSE (John Taylor) and ratified by OCR. It focuses on the vocabulary contained on the OCR vocabulary list and forms a guide to the grammar that students need to know at GCSE level. It is followed up by the equally excellent Latin Beyond GCSE by John Taylor, designed to take students onto AS and then level.

The Taylor and Cullen books are suitable for independent Latin learners as the authors provide extensive explanations as well as vast amounts of practice. Furthermore, you can create a login to the Bloomsbury website and obtain access to the authors’ own translations and answers, which makes it entirely suitable for independent learners and homeschooled students. I have found numerous errors in the ones posted for the Latin Beyond GCSE – unfortunately, I had got too far through before I realised that there were enough that I should have been writing them down to let the author know, and then I simply couldn’t face going back to find them all again – maybe I’ll find the energy in the summer.

The Taylor and Cullen books are used by schools with the curriculum time to take students through the morphology of Latin in rigorous detail (and boy do I envy them that!) They also have the advantage of being tailored specifically to the examinations (whereas other courses encourage students to waste a considerable amount of time learning vocabulary that will not be relevant at GCSE or A level). The very fact that this is so unusual indicates the disadvantage that our subject has been placed in compared to others – can you imagine teaching a mainstream subject without access to text books that are ratified by the examination board? Advantages aside, the only markers against these text books is that they are pretty weighty and unforgiving monsters and I can understand why students used to big glossy pictures in their text books might find them a little daunting.

So You Really Want to Learn Latin? (first published in 1999)

I have recommended this series of books by NNR Oulton to students in the past who want a user-friendly way to revise the basics. Okay, the jokes are a little cheesy but the author voice coming through is quite nice when you’re working alone, as you feel he is cheering you on. The author also drops in little snippets of useful “did you knows” that can demystify some of the Latin phrases that most people are vaguely aware of. The author’s style may not appeal to all as he is robustly open about his desire to tackle “properly difficult grammar”, so the books may not be reassuring to a student who is already anxious or struggling; for an adult, or for a confident child who wants to develop their understanding, the tone is ideal.

Although ostensibly aimed at prep-school students and hence dominated by the vocabulary used at Levels 1-3 and Scholarship, the course makes some strange decisions about what grammar to prioritise in the early stages, for example introducing students to the historic present quite early on; that said, the historic present is pretty common in Latin, so well done to him for not letting a syllabus totally dominate his methodology, I guess. Again, access to the answers is made available, another advantage for independent learners and making it entirely more suitable for those purposes than the course books commonly used in secondary schools. The series is also supported by the author’s own YouTube channel.

Other prep school courses

My shift into private tutoring has been an education in terms of text book usage as well as a revelation in discovering what prep schools were demanding of the youngest of students. Having worked in the state sector all my life, I was used to teaching students who were ab initio at the age of 11. My teaching of the grammar has also been hampered at the state comprehensive I worked in by limited time and a two-week timetable; there were times when, due to poor timetabling and a Bank Holiday Monday, I might not see my Year 7 students for almost a month. Working with prep school students who were already being asked to tackle grammar concepts I was not teaching to my students until year 10 made me question everything I was doing and encouraged me to rip up the rule book. It also exposed me to the variety of course books used in prep schools – far from being stagnant, this is another area where things are changing fast.

Latin for Common Entrance by RC Bass

The text books by RC Bass have formed the backbone for prep school teaching for years and the majority of students I have tutored in the prep school system come to me waving a copy of this course, in one of its many manifestations. The course has been revamped and republished several times and, like any good course in the modern era, comes with answer keys to support the independent learner. Bass switches regularly between Latin to English and English to Latin and his books contain meticulous detail and explanation. He approaches the grammar far more methodically than any of the courses aimed at secondary schools, introducing students to the morphology as well as the grammatical constructs. Some find his approach old-fashioned and bemoan the lack of pictures but frankly I was a convert from my first exposure. Yet Bass is not the only option available to teachers in the prep school system.

Who Said Latin’s Dead? by Rhian Rivers

These workbooks were created by a teacher who says she wanted to combine the rigour of traditional prep school grammar teaching with the engagement brought by story-based reading courses such as the Cambridge Latin Course. Students follow the stories through the eyes of some fictional fellow classmates who are transported back in time (but who also need to keep up their Latin studies – of course!) The course is produced as a series of workbooks, which is something being trialled in state secondary schools all over the country. I moved towards a booklet format for my Year 10s at GCSE level and I would never go back; the format provides students with a comprehensive learning guide that they can look back on and it is also outstanding for homework and cover work, a fundamental practicality that always needs to be considered; it must have been a godsend in lockdown too. The course has much to recommend it, with a good deal of practice exercises on morphology. I particularly like the way it frequently switches between translating from English-Latin to Latin-English.

The author offers an “express” course for schools that are more pressed for time. She does not, however, offer an answer key, so the course could not be used by independent learners or home-schoolers without the regular support of a tutor. She says that this remains a project for the future, so watch this space!

Clarke’s Latin by Ed Clarke

Written explicitly for the recently-refreshed Common Entrance course by one of its creators and examiners, Clarke’s Latin is quite frankly a revelation. My overriding criticism that applies to every single one of the courses above is that there simply isn’t enough practice included at each stage for students to achieve mastery or indeed anything like it. The funny thing is that all the authors must know this – they’re all teachers themselves, so they all understand that mastery is only achieved by repetition; in the classrom, they’re all no doubt supplementing their own courses all the time, a process replicated ad infinitum by every single Latin teacher across the country. When you think about it, it’s madness. But Clarke’s Latin is different.

Clarke has made use of modern technology to produce a course that almost overwhelms you with exercises – never before have I been blessed with the option of saying to a student, “okay, I think you’ve completely grasped this, let’s skip the next couple of pages”. But now, when working one-to-one with a particularly gifted student, I am saying it a lot. In the classroom, it would allow a teacher to differentiate by outcome and enable students to work at their own pace – even the terrifyingly clever ones, who for once will not clean you out of material within 5 minutes.

Clarke has exploited the power of Excel to generate morphological exercises and short practice sentences at a fraction of the speed it would take a Latin teacher to produce them manually; this has enabled him to provide the classroom teacher with a bumper-pack of resources that will never, ever run out. I mean seriously. Imagine it. No more resource-writing. Just a series of course books containing everything you need. More than you need. I’m still slightly in shock! Then I find myself wondering why on earth this hasn’t been thought of before. Latin is famously a structured language and we are in the business of teaching its rules. Of course it was possible to harness technology to assist us in the process of resource-generation. What on earth have we all been doing since 1985?! Well, while we were fiddling about, Clarke has come up with the method and the result is golden.

Like Who Says Latin’s Dead, the new Clarke’s Latin is presented in booklet format, a real boon for classroom teachers and a methodology that’s working in the state sector. Clarke also provides an answer key and extensive written explanations, making the course ideal for independent learners. Personally I am using the electronic licence as I am an online tutor and it is working very well in that format. My guinea pig ab initio student, the first I have tried out the new course with, is loving the rigour: and that rigour is second to none.

Conclusion

In my 21 years as a teacher I have worked with numerous text books and indeed made use of works that are much older and less user-friendly than the modern courses explored above. My shelves are weighed down with text books from the past, all of which have their uses (especially when desperate to provide a gifted student with something he or she has never seen before and might find in some way challenging!) Never have we been so blessed with choice and the latest additions to the canon are in some cases revolutionary.