GCSE – Emma Williams: Latin tutor

On bugbears and juxtaposition

An old Head of Department from many years ago used to start his Year 7 German course in the same way every year. Every year he would ask students to name any famous Germans they could think of. Every year he hoped to hear names like Michael Schumacher or Boris Becker, or perhaps one of the countless famous German composers from over the centuries. Every year he was given Hitler. It never seemed to occur to this lovely man that perhaps there was a better way of starting off his first German lesson. Something made him do the same thing over and again and I think a bit of him somehow relished the inevitable disappointment. We all have our crosses to bear in our chosen subjects.

For anyone who teaches or touches upon Roman culture, for us it’s waiting for the inevitable moment when a child will inform us that the Romans used to eat so much at their dinner parties that they would go and make themselves sick so that they could eat more. I’ve even overheard the guides at Pompeii help to perpetuate this myth by mischievously telling tourists that any random passageway that they can’t account for is a “vomitorium”, where guests would relieve themselves to create space for more gluttony. They know that this is nonsense. The confusion seems to have come from the word vomitorium itself (which actually was used by the Romans to refer to any passageway leading crowds out of a public building) combined with satirical pieces such as Trimalchio’s Feast, sometimes called The Millionaire’s Dinner Party, which describes the imagined excesses of dinner parties held by the nouveaux riches. We also have the disapproving remarks of authors such as Seneca, who wrote of slaves cleaning up the vomit of drunks at banquets and criticised what he saw as the excesses of Rome. It’s a depressingly familiar picture for anyone who has worked in a hotel or similar establishment in modern Britain; wealthy Romans were no more or no less gluttonous than the comfortably-off in any society, especially those societies which have alcohol at the heart of their culture.

Eye-roll inducing as this was, my personal bugbear of misinformation I simply cannot wait to hear is different. I tell myself I have to go there to prevent students from getting it wrong in their exams, but in truth there’s a bit of me that cannot resist it for my own torture. When working on the literature, I always ask every GCSE candidate what they think the term juxtaposition means. Almost without exception, students will tell me that the word means “contrast”. On an exceptionally good day, they will tell me that it means “putting things next to each other in order to create a contrast”. In actual fact, it means “putting things next to each other” and this may be done in order to highlight a contrast.

While I hate to be a massive Latin bore, I’m afraid this is yet another case where a simple knowledge of the Latin roots of words can help. To juxtapose has its origins in the Latin words iuxta (which means “next to”) and iungo (“to join”, also notable in derivatives such as join, conjunction, conjugation, conjugal) alongside the Latin word positus (“place” or “position”). It quite literally means “a placing next to”: there is no mention of the notion of contrast in the original etymological meaning of the word. The frequency with which the technique is used to highlight a contrast means that it is arguably justifiable to include this in the definition, but the etymological roots of the word really must be prioritised. Fundamentally, juxtaposition is placing a word or phrase next to another word or phrase, often but not exclusively to highlight a contrast.

Unfortunately, students (and teachers) Googling the word will find an avalanche of quotations using the word to mean simply and exclusively “contrast”. Just this morning I spotted a horrendous meme quoting American guitarist Dean Ween of all people: “the juxtaposition of fishing and touring couldn’t be greater”. Sigh.

Another part of the problem with this misunderstanding is that English really isn’t very good at doing juxtaposition. Our language requires too many supplementary words to make sense, plus we cannot muck about with word order in the way that Latin can without a serious change in meaning. Word order is sense-critical in the English language: “man bites dog” means the opposite of “dog bites man”. Latin, being an inflected language (i.e. one where the endings of the words dictate their meaning and role) has the advantage in that an author can place words next to each other with ease – certainly to highlight a contrast or frankly to do whatever he wishes.

The good news is that once a student realised what juxtaposition means it becomes much easier to spot in Latin. Once a student understands that it simply means placing words next to each other, they can assume that an author as adept as Virgil has always done so for a reason – it does not have to be limited to the concept of highlighting a contrast. An author may juxtapose a string of sounds, for example, or indeed words with a similar rather than a contrasting meaning. It’s entirely up to him.

Photo taken in Athens by Alexandra on Unsplash

How did it go?

With the first Latin GCSE done and dusted, “how did it go?” is probably a question that every candidate has been asked and answered multiple times. This week, I have found myself wondering to what extent their self-evaluations are accurate.

Curious to discover an answer, I turned to the internet without much hope of finding one, yet came across a psychology study reported by The Learning Scientists, a group of cognitive scientists who focus on research in education. What’s particularly interesting about the study is that it attempts to evaluate students’ success at making what they call “predictions”, which the psychologists define as a student’s projection of their likely performance prior to a test, as well as their “postdictions”, by which they mean a student’s evaluation of their performance afterwards. The study attempted to make an intervention in that process, in other words they tried to improve students’ ability to make both “predictions” and “postdictions” about their own performance. The results are interesting.

The study was performed with a group of undergraduates, and the psychologists made several interventions in an attempt to improve their students’ ability to self-evaluate. They taught them specific techniques for making the most of feedback and they ensured that they took a practice test one week before each of the three exams that they sat, inviting students to self-score the practice test and reflect on any errors. The undergraduates were then encouraged to examine reasons why their “predictions” and their “postdictions” may have been inaccurate on the first two exams, and make adjustments. All of this was with the aim of improving their ability to self-evaluate.

The study found that while the undergraduates’ “postdictions” (i.e. their report on their own performance after the test) remained slightly more accurate than their own “predictions” (their projection of their likely performance), the above interventions resulted in no improvement in the accuracy of students’ “postdictions” over time. While the accuracy of some students’ “predictions” did improve somewhat, none of the undergraduates showed any significant improvement in their ability to make “postdictions”. The students’ ability to evaluate their own performance after each test remained as varied as they had been prior to the interventions.

As the authors conclude, “this study demonstrates … that improving the accuracy of students’ self-evaluations is very difficult.” This is genuinely interesting and certainly fits with my own anecdotal experience of my own ability to assess how I have performed after an examination, as well as the huge number of students that I have worked with over the years. A student’s own feelings after a test may be affected by a myriad of compounding factors and if I had a £1 for every student who felt that an examination had gone dismally who then turned out a perfectly respectable grade, I’d be a wealthy woman. In my experience, some students may over-estimate their “predictions” but most students underestimate their “postdictions”. It is interesting that those “postdictions” appear to be elusive when it comes to intervention and that the cognitive scientists have not – as yet – found a method of helping students to assess their own performance more accurately. I suspect that is because it is too emotive.

It is not obvious from the study how high-stakes the tests were – the psychologists do not make clear, for example, whether the test results contributed significantly (or indeed at all) to the assessment of the undergraduates’ own degree. This to me is something of an oversight, as an obvious compounding factor in any student’s ability to assess their own performance has to be their emotional response to it. Low-stakes testing as part of an experiment is a very different ball-game to the high-stakes testing of an examination that counts towards a GCSE, an A level or a degree class.

My conclusion for now, especially for my highest-achieving students, is to remain unconvinced that they know how well they have done. I could name countless students who have been deeply distressed after an examination, only to discover that they achieved a mark well above 90%. Even in the most seemingly disastrous of circumstances this can be the case. I know of students who missed out a whole question or indeed even a whole page of questions and still achieved an excellent grade overall, so solid was their performance on the rest of the paper and the other papers which counted towards their grade.

Much as it remains an important emotional connection to engage with every student about how they feel their exam went, they’re not a good barometer for what will be on the slip of paper when they open their envelope in August.

Like nobody’s watching

Glorious sunshine is finally upon us and the temperature is going up, so it must be exam time. Some of my most distinct memories from both my A levels and my degree finals are of my hand sliding down my pen and sticking to the exam paper as I wrote line after line in a heatwave. Some things never change.

Bizarrely, I have mainly positive memories of written exams. You might think that this is easy to say for someone who has been reasonably successful educationally, but I should make it clear that I did not have the easiest of rides in all subjects. Mathematics in particular was a real struggle for me and – classified at school as academically strong – it took me some time and a lot of failure to convince the school that I should be placed in the bottom set. This was the only way I would be allowed to sit the Foundation paper and it paid off – I got the Grade C that I needed for the door to further education to remain open for me. But it was a struggle. Not every subject came easily to me and I was not always someone who excelled.

Despite my chequered history across the full gamut of academic subjects, I learnt to enjoy written exams. Some of my students look at me in genuine disbelief when I say this, but it’s true. The thing is, written exams are distinctly different from a performance, something else which I had felt (and put myself) under enormous pressure to do. While concerts and musical examinations made me quite literally sick with fear and my overwhelming memory of those experiences is unremittingly negative, my response to written exams felt quite different. For me, a written exam was an intensely private experience. No one is watching. It’s just you and the paper. As you write, nobody knows how well or badly it’s going. You could be writing “all work and no play makes Jack a dull boy” a thousand times over, like Jack Nicholson in The Shining, and nobody would know. On the other hand, you could be producing sheer genius. Who can tell?

The anonymity of written examinations freed me up to perform and I am aware that this is a preference that has affected many aspects of my life: I am not keen on public performance and the older I get the harder it has become. This might seem to some extraordinary for a classroom teacher to say, but there are many teacher introverts and you’d be surprised how forgiving a classroom of teenagers can be, not least because they are usually far more worried about their own insecurities to pick yours apart. Standing at the front of a classroom feels completely different from standing in front of any other kind of audience, particularly one that is there explicitly to criticise. OfSted was not much fun for precisely this reason, although I believe I handled the process better than most. The reality is that I had no choice. Every job has its downsides.

As I maintain my (so far) regular and increasingly habitual twice-weekly visits to the gym, I am struck by the members who are there to perform to others. Most notable is the girl who films herself on her mobile phone. Dressed in tightly-clad lycra, she records her performance of deadlifts and uploads them to social media. It seems a desperately sad way to live, even if she’s making money as an influencer: for me, the pay-off of being judged 24 hours a day would not be worth the money and certainly the reports we already have from ex-influencers are testament to the detrimental effect that this kind of lifestyle has on their mental health. Being under intense scrutiny is remarkably stressful; making one’s income depend upon this must be doubly so.

Having just finished Jonathan Haidt’s Anxious Generation, I have been thinking a lot about Gen Z and the fact that they have grown up under scrutiny. No generation before has experienced the combination of our modern obsession with constant adult supervision to “keep children safe” combined with a quite horrifying lack of gate-keeping online that has opened the door on their lives to the world. Even prior to Haidt’s research I had found myself pondering that the generation which has grown up with the world in their pocket seems to feel the weight of that world more than any other generation has done so, despite the fact that their world is in fact a safer and healthier place than it has ever been for previous generations. Something has gone horribly wrong that this generation feels so bad. The world should be their oyster.

None of us wants to be the one to say it’s the smart phones, as none of us wants to be the pearl-clutching old fuddy-duddy that blames the colour TV or the latest computer game for all the ills in the world. But I don’t think it extreme to say that having the eyes of one’s peers and indeed the eyes of the entire world upon one 24-hours a day is not good for the soul and that equipping children with a device that makes this inevitable was an emphatically, catastrophically bad idea. Children (and indeed adults) need time out, time unsupervised, time unjudged to make mistakes and to mess up, without the whole process being recorded and played back on a loop until the day they die. I don’t know a single member of my generation that isn’t thankful they did not grow up with this and that we did not have our thoughts, ideas, fashion choices and beliefs held to account and digitally recorded to haunt us forever.

If I could gift the next generation with one thing it would be the right to dance like nobody’s watching. I fear we may have robbed them of this privilege we all took for granted a long time ago.

Photo by Adrian Diaz-Sieckel on Unsplash

Thoughtless examiners

While I am the last person who would advocate for whitewashing the ancient world, I do sometimes wonder at the sheer lack of sensitivity shown by examiners when it comes to the selection of the material that Latin GCSE candidates are faced with on the day.

The ancient world abounds with a plethora of stories fit for adaptation. The possibilities are endless. Given this fact, I fail to see the necessity of including stories that even prior to the #metoo era would unquestioningly be classified by all but Andrew Tate’s very worst acolytes as a story of sexual assault. The ancient world abounds with these stories too, and I am not suggesting that we should remove them from the corpus, nor that we should hide the truth of them from students who elect to study this material; it is profoundly important not only that we address these accounts but that we examine what they have to tell us about attitudes towards women and towards consent in the ancient world. But this is an examination I am talking about. Let us remember that there will be a range of students sitting each and every paper, some of whom may (or – according to the statistical reality – will) have experienced sexual assault for themselves. For some of them, the abuse will be ongoing. I’m sorry if this is upsetting news to anyone reading this, but if you work with young people and have undertaken any kind of safeguarding training then it should emphatically not be news to you that this is the case. So, to write an examination that includes a story of sexual assault is either to feign ignorance of the fact that some of our students will have suffered in this way, or is to declare that one simply does not care about the impact that the examination’s contents may have on some of our most vulnerable children, on what amounts to a very important day for them: a day on which their knowledge and hard work is being put to the test.

In an examination, a student who is already in a potentially stressful situation is forced to sit with the material in front of them and process it alone. If they are translating a passage, that means sitting with the material for some considerable period of time. It is clear that the examiners gave no thought to this and I refuse to accept that one has to be some kind of super-woke convert to the concept of trauma-informed education to raise an eyebrow at their monumentally insensitive decision to include this material. Personally, I have some concerns about the spread of trauma-informed practice into education, often pushed by advocates who know nothing about the realities of classroom teaching; I consider some of its most lethal mutations potentially harmful when it interferes with a school’s basic need to provide a robust disciplinary framework for all students to thrive within. Yet humanity and frankly common sense surely teaches us that one should think carefully about the impact that the content of our lessons may have on students, and even more so about the content of an examination that will be sat by thousands of them, on their own, without support.

During my teaching career I worked with the OCR specification, so have come to the WJEC specification in recent years as demand from tutees has increased. I am now at the point where I am looking closely at individual past papers and last week I worked through the contents of the 2020 WJEC GCSE language paper. I was frankly appalled. I have spoken to a couple of contacts who have far more influential voices in the field than I possess and they confirmed to me that they have already raised concerns in the past, to no avail.

So let’s see what everyone else thinks of the content, shall we? The first passage on the 2020 paper consists of Jupiter disguising himself in order to have his wicked way with an innocent young nymph named Callisto. So far, so typical Jupiter and perhaps euphemistic enough for most of us to be broadly okay with the story’s use. However, things do not remain euphemistic. In this particular retelling, Jupiter disguises himself as the virgin goddess Diana, a close companion of Callisto, so that he can enter Callisto’s bed, and the story continues as follows – below is my version of what the students were asked to translate; I have not quoted the Latin extensively, in case they come at me with copyright complaints, but you can view the paper freely here on their own website:

Callisto, when she saw the goddess, was happy; but as soon as Jupiter lay down next to her and gave her a kiss, Callisto realised that she was not a woman but the god. She was terrified. For she had avoided men her whole life, just like Diana. Although she tried to escape, Jupiter held her down easily.

The passing mention that she had “avoided men her whole life, just like Diana” may (one hopes) have gone over the head of most students, but the truth is that it is spelling it out for readers that Callisto is still a virgin. This, plus the clear implication that Jupiter forced himself upon Callisto and physically held her down, is bad enough, but the disturbing content continues:

Having entered the woods with her other companions, Diana greeted Callisto, who was again so terrified that she wanted to run away: she thought that the god was coming back for her. But after she saw the companions, she hurried towards them, crying. “Why are you crying?” they asked. “What happened?” “Nothing,” the unhappy girl replied. After a few days, however, they persuaded Callisto to tell them what had happened.

She thought that the god was coming back for her?! Who thought that line was a great one to include? The Latin is deum ad se redire putavit, a marvellous opportunity to test candidates on the indirect statement with a past tense main verb and a present tense infinitive, well done chaps! Didn’t think about what the statement actually meant, though, did you? I really do despair. (I know I shouldn’t assume that they’re all men but really … what else can one assume? That a woman thought this was okay? I do hope not).

Perhaps worst of all, in a final turn of events, Callisto’s friend and protector Diana turns on her and blames her for her own assault, as does the ever-jealous wife of Jupiter:

Callisto’s companions, shocked by such serious news, hurried to Diana to report the matter to her. Diana, who was very angry, ordered Callisto to leave at once. “You are not blameless” she said. “Do not ever return to us.” Callisto left, very unhappy. She was forced to live in the woods for many months. Meanwhile Juno was watching her. Juno was the wife of Jupiter. Although Jupiter was always trying to deceive her, Juno had found out what he had done. “That very bad nympth will pay for this” she said.

The word (glossed on the exam paper and translated as per the examiner’s instructions as) “blameless” is casta. The phrase could be translated “you are not innocent”, “you are not pure”, “you are not chaste” (our closest equivalent as a direct derivative) or indeed “you are not a virgin”.

The messaging here is clear. A girl is sexually assaulted, is deeply distressed by the assault, is terrified that it will be repeated and finally is told by others that the assault is her fault and that she is sullied goods. How on earth is it possible that this material made it past the huge number of eyes that one presumes (hopes?) get to look at it before it makes it onto the final draft of an examination paper? Did not one of them think to ask whether the content was appropriate or frankly even necessary? Was there no other single story that would have sufficed, from all of the other thousands of ancient stories that are in our possesion? One can only imagine that every single examiner involved was so blissfully ignorant as to the realities of life for some of our young people that they simply did not consider the fact that the material might be unfit for purpose. All I can say is lucky for those who live their own lives knowing so little about other peeople’s pain and distress.

In the past I have written about the content of the text book Suburani and consider some of it inappropriate for younger students, but at least in a text book the material can (and indeed should) be managed by the classroom teacher, who can skip out that section altogether should they decide – as I would – that it is simply not appropriate for their class. If they do decide to tackle the material, they can manage how this is done and provide guidance and a supportive atmosphere for students to respond to it. In an examination, students are left completely exposed, with no gatekeepers to protect them and no safety net to catch them if they end up in freefall. For me, that is simply and emphatically not acceptable and a clear betrayal of our duty of care.

Last-minute help?

This is the first of two remarkably busy weeks working with a very large number of Year 11s during their school holidays, preparing for the forthcoming GCSE examinations. Many of these students have approached me in just the last few weeks seeking help, and it is remarkable how much can be achieved in a short time prior to the final exams.

Many clients are surprised by the assurance that help can be worthwhile at this late stage. Many contact me in a state of panic or near despair, convinced that the situation is unsalvageable and unsure why they’re even asking for my advice. Yet within a few weeks it is possible to have an impact on a student’s confidence and their attainment, so long as you know what to focus on.

First and foremost, it is essential to assess the particular areas with which a student is struggling. This in itself can be a challenge, since many students (and certainly their parents) can struggle to identify where the problems lie. Students often present with nothing more than the fact that they need help with “the grammar”, so I rely largely on my own detective work to get to the bottom of what can be done to improve the situation. At a late stage of intervention this may well not mean delving into complex material, nor indeed trying to ask them to learn basic fundamentals. At this stage, it’s about identifying and selecting some concrete things to address that will gain them a win.

One thing that can be tackled head-on is their performance in the grammar questions, which make up 10% of their language mark. The examiner is remarkably repetitive and we are now in possession of enough past papers to prove this concept. Showing students every single past paper in quick succession, focusing entirely on the grammar questions and demystifying what it is that the examiner is looking for in their answer can be a real game-changer. In just one session it is usually possible to help get most students to the point where they can achieve 8 or 9 out of 10 in that section. To achieve full marks, students require a whistlestop tour of the uses of the subjunctive, which is a question the examiner has asked every single year, and that can take up another session or two. The uses of the subjunctive are another relatively easy win because most exam papers contain at least 5-10 sentences containing one of these constructions, so an understanding of how to translate those clauses gains them a significant margin.

There are further gains to be had if we have time to look at several practice papers as they can be coached on the types of phrasing that come up on a regular basis. I have identified a collection of common phrases that appear on exam papers with striking regularity, and a student who is perhaps overwhelmed with vocabulary learning can benefit from focusing their revision on these phrases. In addition, I have a list of high-frequency words that come up time and again on exam papers. Focusing on the high-frequency words will not gain a student a top grade in the exam (you need all the vocabulary for that!) but it can be a real game-changer for students who are struggling at the pass-mark.

Some students come to me for help with the literature and the majority of the time it is because they are completely overwhelmed by how to go about committing the texts to memory. I have written before on the fact that too many teachers tend to assume that students have the knowledge, experience and skills to rote-learn vast quantities of material without support, but in my experience, this really is not the case. My grades went up significantly when I started to assume that students did not have this knowledge and I taught them explicitly how to go about the process. Likewise, my grades went up when I took the risk of allowing them short bursts of class time to make a start on the process – this afforded me the opportunity to model the process and then monitor them using it. Many students are resistant to advice when it comes to study skills, so it’s important to ensure that they do give effective methodologies a chance so that they can be converted to the process. If left to their own devices, many students will ignore the suggestions made by their teachers, attempt to do it their own way and fail.

I am finding the work that I am doing immensely rewarding. Just this week I had a particularly heartening message from a client saying that her son is really seeing a difference. “He’s just said to me “ a few weeks ago I wouldn’t have had a clue and now I am getting them all right”. So grateful.” This particular student has been through exactly the process I have outlined above – I took him on a whistlestop tour of the uses of the subjunctive, we reviewed all the grammar questions on past papers and now we’re onto as many practice papers as we have time for, tackling some further easy wins such as time phrases along the way. Once the student is on board with the notion that it is never too late to turn their performance around, it’s quite remarkable what can be achieved.

Casual misogyny: Love and Marriage (WJEC/Eduqas)

I’m no expert when it comes to the Roman view of women. My specialist area was neoplatonic philosophy, so I would never lay claim to having a thorough and intimate grasp of this field, nor did I take any particular interest in feminist readings of ancient literature (indeed, I recall being specifically warned off it as a research area – by men, it may not surprise you to know). All of that said, as a trained Classicist I have read a fair number of sources that discuss women and/or their behaviour – for better or for worse. The current prescription for the WJEC/Eduqas GCSE specification includes a group of texts to which they have given the title “Love and Marriage” and I am working with a few students who are studying them.

One of the most important things to grasp as a Classicist, in my opinion, is that women were broadly considered to be inferior to men in the ancient world. I think we all need to get over that casual misogyny, if we’re not going to spend every moment of study being triggered. There is no point having a panic attack every time this inescapable fact comes back on our radar, just as there is no point in doing so when we are reminded that in the ancient world the existence of slavery was considered to be completely acceptable. What we must do, on the other hand, is address these facts head-on. Never let anyone tell you that Roman society was advanced and civilised; when compared to our own, their society was cruel and grossly unfair, and those who would seek to say so are utterly deluded. One does not have to admire something to be fascinated by it.

The first thing to note about the collection of texts selected by WJEC – and indeed, about the overwhelming majority of sources that discuss women in our possession – is that they were written by men, and (largely) for men. Hearing women’s voices is extremely difficult, although I find it disappointing that WJEC did not even try to do so. They have included some visual source material as part of the “Love and Marriage” prescription, but they did not elect to include the graffiti and politicised slogans penned by women, which would have been a nice nod towards the fact that we do, at least, have those as direct evidence of women’s opinions. What we do have in the prescription is a collection of paintings and sculptures depicting the marriage ceremony. And yes, I know the prescription is called “Love and Marriage”, but given that the rest of the sources are fundamentally about women, it wouldn’t have taken much of a stretch of the imagination to make it considerably more interesting and inclusive.

The first text in the collection pretty much encapsulates the nature of a wealthy woman’s expected ideal life in the Roman world. It is an epitaph, so necessarily idealised, and sums up the manner in which women were expected to conduct themselves and their lives:

hospes, quod dico paulum est; asta ac perlege.
hic est sepulcrum haud pulchrum pulchrae feminae:
nomen parentes nominarunt Claudiam.
suum maritum corde dilexit suo.
natos duos creavit: horum alterum
in terra linquit, alium sub terra locat.
sermone lepido, tum autem incessu commodo,
domum servavit, lanam fecit. dixi. abi

Stranger, what I have to say is brief; stand still and read it through.
Here is the not very beautiful tomb of a beautiful woman:
Her parents gave her the name Claudia.
She loved her husband with all her heart.
She bore two sons, one of which
She leaves on this earth, the other she placed beneath the earth.
Of charming conversation, and indeed of elegant step,
She looked after the home, she spun wool. I have spoken. Now go on your way.

It is surprising how hard one has to push young students to articulate how and why this epitaph is perhaps (to use modern parlance) problematic in terms of what modern women might expect for themselves, their lives and their legacy. I don’t know what the kids are into these days, but unless I am very out of touch then I am guessing that housekeeping and wool-spinning is not necessarily top of a 21^st century girl’s list of ambitions (that said, crochet is apparently making a comeback). What is most notable to me about the epitaph is its coldness: Claudia’s achievements are those expected of a good wife and mother: nothing more, nothing less. She loved her husband with all her heart – there is no mention of that being reciprocated. The only personal attributes mentioned are those of the ideal desirable woman – she looked good, she conducted herself appropriately and made polite conversation. As my mother legendarily said to some considerable awkwardness at a dinner party in the 1970s, “women have been making intelligent conversation at these kinds of dinner parties for centuries, and look where it’s got us”. Indeed.

The other texts in the collection which discuss marital relations fall very simply into two categories: marriages in which the woman behaves herself in the correct manner, and marriages in which she doesn’t. Pliny’s Letter to Calpurnia Hispulla is a simply toe-curling account of his successful match with the 15-year-old Calpurnia the Younger, who is by all reports simply delighted to be married off to Pliny, who was in his mid 40s. (This, I am happy to report, does get something of a reaction from students). In addition to keeping the household in order as one might expect, Pliny reports that his young (indeed, by modern standards, child) bride is learning his speeches off by heart and even setting them to music on the lyre. We are also told that she “sits hidden behind a curtain” so she can hear him perform in front of his friends. Lord knows what this youngster truly thought of her marriage – we have some letters (not included in the prescription) from Pliny directly to her but none (of course) from her to him. Not that she wouldn’t have written them, you understand, but nobody would have considered them worth publishing or preserving for the future.

Cicero’s report of his brother Quintus’ marriage, by contrast, gives the picture of a most unsuccessful match, with the wife portrayed as a thoroughly unreasonable and difficult woman. Quintus is – of course – an absolute model of decency and Cicero is dismayed at the behaviour of his sister-in-law. Not as dismayed as Seneca, mind you, who in the text nicknamed Changing Morals makes it clear that pretty much all the women in Rome are loose and immoral, hell-bent on taking as many lovers as they can possibly fit into their day and totally lacking in any kind of decency:

num iam ulla repudio erubescit, postquam feminae quaedam illustres ac nobiles non consulum numero sed maritorum annos suos computant? … num iam ullus adulterii pudor est, postquam eo ventum est ut nulla virum habeat nisi ut adulterum irritet? pudicitia argumentum est deformitatis. quam invenies tam miseram, tam sordidam, ut illi satis sit unum adulterorum par?

Is any woman today ashamed of divorce, now that some distinguished and noble ladies count their age, not by the number of the consuls but of their husbands? … Is there no longer any shame in adultery, now that things have reached the point that no woman keeps a husband except to frustrate her lover? Chastity is now a sign of ugliness. What woman will you find so wretched, so undesirable, that for her a single pair of lovers is sufficient?

According to Seneca, Roman women were frankly rampant and if Catullus’s account of his lover, Lesbia, is anything to go by, then he’s not wrong. It is always worth telling students that the poems included in the selection are amongst Catullus’ tamest works, many of which would not make it onto the A level syllabus, never mind the GCSE. I’ll never forget being frankly agog at a lecture on Catullus during my first year at university – I wasn’t aware that university lecturers knew about those kinds of things or indeed used that kind of vocabulary. The very fact that Catullus’ lewd works appear to give us glimpses of undeniably empowered, liberated women in Rome only serves to make our inability to connect with their true voices all the more frustrating.

Passionate love affairs do not always run smoothly, and the WJEC collection also includes a poem by Catullus about being rejected by his lover, plus another by Horace in the same vein. They both speak of the pain of rejection and the account by Horace includes a possible reference to a desire for violent revenge upon his ex. Two extremely short poems, one by Catullus and one by Martial, both describe feelings of both love and hate for one woman and explore the idea that the poets can both love and despise their female partners at the same time.

difficilis facilis, iucundus acerbus es idem:
nec tecum possum vivere, nec sine te.

Unbearable, agreeable, you are pleasant and repulsive just the same:
I can live neither with you, nor without you.

The WJEC selections make an interesting collection, albeit with the disappointing omission of any kind of female voice. What we are left with is the male perception of women, which is without doubt of interest in itself. How men perceive women and set out to control them is the scenery that forms the backdrop to so many societies, including our own. One of the things that makes the study of the ancient world so interesting and so worthwhile is the opportunity to look at this frankly and from a position of relative progress.

The Wedding Ceremony, State Hermitage Museum, S.Petersburg

The benefits of rote-learning

A report published by a committee from the House of Lords this week says that our education system for 11- to 16-year-olds is “too focused on academic learning and written exams”, resulting in “too much learning by rote” and “not enough opportunity for pupils to pursue creative and technical subjects”. The report ultimately suggests that some students are being “stifled” by an “overloaded” curriculum.

I shall make no attempt to defend all existing curricula, not least because I am in no position to comment in depth on any subject area other than my own. I am aware that colleagues in the sciences in particular and also in the humanities have found the post-2018 curricula difficult to deliver and certainly it seems that there is a need for a reduction in the amount of material to be covered. Teachers report that there is too much information crammed into too little time in some subects, and that tweaks to the specifications in those areas would be of benefit. In my own subject, I have written before about how unwieldy the GCSE Latin curriculum is, with its burdensome requirement for students to study (which in reality means rote-learn) an enormous amount of original literature. The problem is so bad that it has put me off agreeing to take any independent students through the curriculum, since it is such an enormous (and frankly tedious) time-drain on top of their regular subjects.

All of this can remain true without arguing that there is a need for dramatic and sweeping reforms (for heavens sake please no, not again) and even more importantly without us turning against the very principle of a knowledge-rich curriculum or indeed the very concept of learning by rote.

Educationalists who rail against rote-learning do so, I think, for several reasons. Firstly, people who are disquieted by rote-learning usually associate it with an innate lack of understanding on the students’ part, as if learning by rote is inherently at odds with understanding. For these people, the concept of rote-learning immediately conjures up images of Victorian schoolchildren holding the book upside down while they “read aloud” to demonstrate to the dreaded School Board that they could read when in fact they couldn’t; instead of spending their time teaching reluctant readers how to read, some teachers purportedly made children learn a passage of literature by heart so that they could recite it when it came to inspection day. Whether these apocryphal stories are true or not is a question I should ask the inimitable Daisy Christodoulou and Elizabeth Wells, authors and presenters of the fantastic podcast Lessons from History. If you haven’t come across it yet, I recommend it highly. It is fantastic for myth-busting, demystifying and celebrating how far we have come.

I have two key criticisms of the assumption that rote-learning equates to a lack of understanding. Firstly, the two notions are not causally linked. Very obviously, one can teach to ensure understanding in addition to asking a student to learn some material off by heart. Secondly, even when a lack of understanding does remain, this does not negate the value of rote-learning; rather it does, if anything, make the process even more important. Students are capable of banking information even if they do not currently understand it; this means that they can then draw on that information at a later date. For example, students could learn a poem off by heart, which would then facilitate the process of studying it in class.

Much to my heathen husband’s chagrin, I recall all of the hymns and prayers that I absorbed in my very traditional school, which marched us to chapel every day. I remember being distinctly puzzled by the phrase “the panoply of God”. And surely anyone that hails from a similar educational experience found themselves wondering why there was “a green hill far away, without a city wall”? All of these sorts of phrases came back to me as an adult as I learnt the true meaning of them and was thus able to fit them into my existing schema of knowledge. The rote-learning did not detract from this, the information was merely sitting there waiting to be processed and filed. I do not see why there is a problem with this. While it would have been better had the concepts been demystified for me at the time, the brain’s capacity to absorb material for the longterm is so enormous that there really is no harm in it containing some bits of information that it does not yet fully understand. It’s not a floppy disc; it won’t fill up and start malfunctioning.

Another reason that some educationalists object to rote-learning is that they see it as a waste of time in this modern era of technology. What value is there in learning something off by heart when we can look things up at the touch of a button? I find this argument so facile that I struggle to argue against it with the gravitas required to refute it. Yet, I shall make an attempt to do so. First of all, rote-learning is not, in fact, excessively burdensome: quite the opposite. Rote-learning is remarkably easy to do once students are taught the right methodology. In return for a very small amount of effort, students can bank vast quantities of knowledge in their longterm memory, which then frees up their working memory to simply spectacular benefit. To take my own subject as an example, anyone who tries to grasp a complex grammar point such as the indirect statement without a rudimentary knowledge of the inflection and vocabulary being used will never manage to do so; if a student is constantly distracted by the need to check their noun or verb endings, or to look up the required vocabulary, their working memory will be over-burdened to the point of failure. Similarly, a student will struggle to understand the writer’s craft and discuss stylistic techniques (as required – for better or for worse – by the examiners) unless they understand the Latin that is in front of them; the easiest way for them to understand a complex chunk of material is for them to have rote-learned its meaning beforehand. Rote-learning a text is extremely easy once you know how and not only have I written about it before I have taught hundreds of students how to do it to great effect. The problem is not with rote-learning itself but with how few classroom teachers actively teach an appropriate methodology for rote-learning, leaving students to flounder when it comes to how to do it.

Yet it is not only the inherent benefits to academic learning that make me believe that rote-learning is a skill that students should be taught. In addition, I find it mystifying that so many educationalists fail to see the value and the joy in the process itself. Whether it be poetry or your favourite song-lyrics, the sheer joy in having a worthwhile piece of writing in your head is difficult to over-estimate. At school I learnt poems, songs, sonnets and speeches from Shakepseare and can still remember them to this day. Learning poetry by heart remains a hobby for me and I can, for example, recite the whole of The Highwayman, which takes around 13 minutes. Why? Well, why not? The process is as pleasurable and stimulating as doing a crossword, completing a Wordle puzzle or grappling with a challenging Sudoku. I regret that so many educationalists do not wish for young people to develop the ability to acquire such knowledge should they so choose. This is not to say that all of them will choose to adopt the process of learning poetry as a hobby in the way that I do, but I do not understand the determination to rob them of the option. How little we think of them that we decide on their behalf that they are not worthy of it.

The bulk of my time as a tutor is spent uncovering what it is that students don’t already know and helping them to rectify this. That goes both for the knowledge itself and for the methodology of how to acquire and sustain it. Knowledge is essential for students to thrive and I don’t think that I will ever understand the apparent desire of some to rob the next generation of their rightful inheritance.

Photo generated by AI. Spooky, isn’t it?

Why do we have Mock examinations?

Once again this year I am struck by the huge variation between schools when it comes to handling their Mock examinations. Most interesting perhaps is the variation in date, as some schools have set them in November, some in December, some in January. The timing of mocks is never ideal for anyone involved. A Mock period in November and/or December means that the examinations come rather too early, forcing teachers to cram content in or delay it until afterwards and not examine it; it also means that teachers will have the rather unpleasant Christmas gift of a whole load of exam-marking. Delay the exams until January, however, and the examinations are hanging over the students, potentially putting a strain on them and their family during the short Christmas break; it also means that the results of those Mock examinations will potentially not be circulated until February, which then leaves only three months to take action between the Mock results and the final exams.

One major problem with Mock examinations is the amount of curriculum time that is wiped out by the very process of examining a whole year group in formal conditions, a factor which led directly to the demise of the AS/A2 system at Key Stage 5 – losing most of the summer of Year 12 to an examination period was simply too costly. In Year 11, for practical reasons, the Mock examination period is kept very short (much shorter than the formal examination period in the summer), with schools cramming all of their examinations into a two-week or three-week window. This is absolutely necessary in order to minimise the disruption to the curriculum, but the price is paid by the students and by the staff, who face a very intense time sitting the exams, marking them and analysing the data – all at the darkest and most miserable time of year, when the likelihood of illness is high.

One of the main issues with Mock examinations is that they serve too many conflicting purposes. They are used by schools as an indicator as to whether a student is on target to achieve their predicted grade, and most schools ask their staff to perform some kind of results analysis, with students being flagged in some way as to whether they are on, above or below target. Sometimes this information is passed on to the students. In my experience both students and their families continue to be deeply confused about the difference between a target grade (which will be calculated using a complex algorithm and based on data that does not actually relate to your child’s own performance) and a predicted grade (which is what your teacher thinks you might achieve if you continue working as you are).

Personally, I don’t like either target grades or predictions, as I feel that they categorise children unfairly and set up a mindset that is not always helpful. Students with very high targets and/or predictions can feel overwhelmed by the pressure; students with lower ones can feel like the system doesn’t believe in them or that they have been labelled as incapable so what’s the point of trying? In an ideal world we wouldn’t need them at all. On a training course on raising standards for all, I once met a Headtacher who worked in an outstanding school with outstanding results. They gave every child the same target, which was to get as far above the pass grade as they could. I excitedly shared this radical and evidentially successful approach with my school leadership team and they roundly ignored it; ironic really, as they has sent me on the course and asked me for feedback! The approach jarred so much with what they believed was necessary that they couldn’t even entertain the notion as a way forward.

So, schools require Mock examinations in order to number-crunch and take a reading in terms of how a cohort is likely to perform that year. Like it or not, this is unlikely to stop happening when we are demanding that schools raise standards all the time and we base this judgement on exam performance. Yet there are other important reasons for the Mock examinations, and these do not always sit confortably with a school’s need to data-crunch and predict outcomes. In many schools, Mock examinations are the one and only time that students experience a practice run of what it will be like to sit their final papers in the summer. Most schools don’t have the physical space to facilitate formal examinations for all year groups, so it’s really important for Year 11 to get this one real chance at experiencing what it is like to line up as a year group according to a designated seating plan, file into the room in examination conditions (which begin outside the room) and sit a series of examinations, one after the other. Students experience what it’s like to receive formal instructions from the Examinations Officer, to be told to hand in their mobile phones and check their pockets for banned materials (pretty much everything), to have to have their equipment in an appropriate clear container and to surrender any equipment that is more modern than an analogue timepiece. All of these things can create tension for anxious students, but it is hugely important for them to experience the process so that they know what to expect in the summer. It can be a real balancing act for schools to create the right atmosphere – just the right amount of gravitas so that students experience the seriousness of the real thing, without sending the entire year group into a state of controlled (or, even worse, uncontrolled) panic.

Crucially, Mock examinations are (or should be) an opportunity to make mistakes and learn from them. Teachers expect some students to read the paper wrong, to answer the wrong section, to tackle too many questions or not enough. The very point is that they get to experience the impact of this and learn how important it is to approach each paper in the right way. Beyond that, they also get to dissect their performance in detail and (in an ideal world) receive thorough, individualised feedback from their teacher. The mock examinations should highlight areas of weakness and shine a light on the skills which need honing and improvement. When students are very upset by their performance in a Mock examination, it can be particularly difficult; students may receive news of their mark in the same lesson as when they have to go through the paper and in my experience this means that they are not in a fit state to take anything in; as a tutor, I am grateful to schools who are happy to release the papers and let students take them home, as this means I can look at the paper myself and go through it again with the student when they are calmer.

One of the things which students struggle the most with when it comes to their first experience of examinations is timing, and this is indeed one of the many reasons why Mocks are so important. There’s nothing like the full experience of being in a large exam hall and having to work to timed conditions to make you realise that this is something that you need to practise, practise and practise again. There is no point in astudent working on exam-style questions if they are not doing so in timed conditions – in fact, I would argue that doing so could potentially be damaging in the long-run; if a student gets used to tackling a question over a longer period of time, they’re going to struggle to adjust their performance to what is required in the final paper. This is why it’s important to practise things under time pressure from the very beginning.

If a student truly bombs in their Mock it is not a disaster. I have seen students turn things around in a manner that I might not have believed possible had I not seen it with my own eyes; a really poor performance in an examination can even be the catalyst that some students need to get them focused – if no amount of their teachers or their parents telling them to buck their ideas up has worked, then sometimes totally crashing down to earth with truly disastrous grade can be the ticket. For the more anxiously minded, the important thing is to convince them that Mocks are quite literally there to be failed; their job is to defy the algorithm and smash it out of the park in May. Believe me, it can be done.