Life in plastic, it’s fantastic

Last week, toy giant Mattel launched its first “autistic Barbie”. Coming hot on the heels of its first-ever doll with type 1 diabetes, sporting her own insulin pump and glucose monitor, this latest addition to Barbie’s range marks another milestone in Mattel’s purported goal to ensure that more children “see themselves in Barbie.”

While many have celebrated a neurodivergent Barbie as an important step toward inclusion and visibility for children with autism, others have raised concerns about representation and stereotypes. Supporters argue that the doll’s design — including features like noise-cancelling headphones, a tablet with communication apps and sensory-friendly clothing — will ensure that autistic children see themselves reflected in a mainstream toy. They argue that such representations could normalise the support tools that many children use in daily life, which can be empowering and affirming for them. As one poster on LinkedIn put it last week, “We have all had an opinion on the new autism Barbie. Today, I chose to leave that to the person who actually matters. I bought the Barbie for my daughter. Her reaction was immediate and joyful. “Awesome.” She picked it up and said, “Look Mum, it has the talking board you got at the parks and what my brother used.” Then, “The ear defenders are like mine. We can wear them together.” … Representation does not need to be flawless to be powerful. It just needs to be seen, felt and recognised by the people it is for.”

I have also read that autistic Barbie has been blessed with articulated joints “to allow for stimming gestures”. Now, if we’re going to talk about representing humans, autistic or otherwise, I would have thought that all versions of Barbie would benefit from articulated joints. As I recall, Barbie’s extraordinary lack of flexibility was my main issue with her back in the 1980s, when I was playing with dolls. Barbie’s fixed limbs meant that she effectively couldn’t ride her horse, only balance above it like a plastic A-frame, giving the impression that she was wing-walking rather than riding her steed. In my 10-year-old world, in which I lived and breathed all things horse-related, this was a massive let-down.

Critics of the all-new neurodivergent Barbie have pointed out that autism is an invisible, highly diverse spectrum that cannot be captured by one set of external traits or accessories. While this is arguably an issue for all representation, some people worry that relying on visible markers to represent women with ASD will reinforce simplistic or stereotypical ideas about what autism “looks like.” The debate about the new Barbie doll is, of course, part of a wider conversation about corporate “diversity” initiatives and the commercialisation of identity, with some seeing the doll as meaningful representation and others questioning whether it reduces a complex human experience to design features.

This is not a new debate, merely the current iteration of a discussion that has been evolving since Barbie’s inception over 60 years ago. When I was a child, more than forty years ago, feminists were raging about Barbie. My mother, a reasonably committed feminist herself, was nevertheless comfortable with me having a Barbie. Indeed, I had the Barbie horse (which actually did have articulated limbs, unlike its owner, but was a ridiculously stylised fantasy creature) and I also had the Barbie car, which was frankly hideous. Personally, I found the Sindy products more appealing: the horses were more realistic (of paramount importance) and her car was a sensible beach buggy, which seemed infinitely more usable when compared to Barbie’s insane mega-pink sportsmobile.

So, when and where did the Barbie doll originate, you may wonder? Well, Barbie burst onto the scene in New York in 1959, and at the time she was pretty unique. She was created by Ruth Handler, co-founder of Mattel, who had noticed her daughter playing with paper dolls, imagining them as grown women with jobs, romances and social lives. At the time, the dolls that were marketed to girls were baby dolls, designed to encourage domestic play that mimicked nurturing and motherhood. Handler realised there was space for something radically different: a doll that allowed girls to imagine themselves not as mothers but as independent adults, with working lives and hobbies. In terms of an aspirational start-point for a girl’s toy, it was actually quite progressive.

What the world ended up with was arguably anything but that. Mattel designed the look of Barbie supposedly as a teenaged fashion model, and there is no escaping the fact that she was overtly sexualised and designed around an unobtainable body ideal. Despite (or perhaps because of?) this, Barbie sold spectacularly well, becoming a cultural phenomenon almost overnight, but she also drew criticism from parents and feminist commentators, who pointed out that her figure was unrealistic and inappropriate. Her tiny waist, elongated legs and prominent bust sparked debates that would dog her image for decades. To be honest, when I was 10 I’m not sure that I saw her as a representative human, since nobody I knew looked like that. I think I saw her as an imaginary creature that was a bit like humans but not actually human: an entity designed purely for fantasy. My mother’s only comment on Barbie’s physique was on her rigid arms, fixed permanently in the position of elbows at a 90-degree angles: “probably years of carrying a tray,” she said.

As Barbie expanded through the 1960s and 1970s, Mattel worked hard to position her as a girlboss. Barbie acquired careers, first as a fashion model (sigh), then as a nurse, then a flight attendant, then eventually as an astronaut. These additions expanded her image for sure. Arguably, Barbie could be seen as wholly progressive, presenting girls with visions of independence and professional ambition, summarised in the slogan still linked to the doll: “you can be anything”. On the other hand, Barbie remained bound during this period to narrow beauty standards, with the same unobtainable body type, youthful face and a consumerist lifestyle to boot. Feminist responses to Barbie during the second wave in the 1970s were largely critical. Many women argued that Barbie taught girls to value appearance above all else and promoted a passive, male-oriented ideal of femininity: the introduction of Ken as Barbie’s boyfriend further fuelled this narrative. But a counter-narrative argued that Barbie represented autonomy and independence: she remained unmarried, child-free, financially solvent and capable of holding almost any job. What a woman! Except she still couldn’t ride a horse.

Inevitably, Barbie’s commercial success prompted other manufacturers to get in on the act. In the UK, the Sindy doll was introduced in 1963 and quickly became known as “the girl next door” in contrast to Barbie’s glamorous American swagger. Personally, as a sensible shoe-wearer from childhood to the present day, Sindy was the girl for me. She had a softer face, a smaller bust and broadly speaking more realistic proportions. She was deliberately marketed as more relatable and was certainly less overtly sexualised. Sindy’s lifestyle emphasised hobbies and everyday fashion rather than aspiration and luxury. Many parents understandably viewed Sindy as a more wholesome option, and some feminist commentators later pointed to her as an example of how dolls could and should reflect a broader, less idealised version of womanhood. Much more importantly for 10-year-old me, she had articulated limbs and could ride a horse properly.

There were other dolls of course. The Pippa doll, launched in the UK in 1966, occupied a different cultural space again. I had one Pippa doll and from memory I wasn’t keen. Smaller and thus cheaper than Barbie, Pippa was marketed primarily as another teenaged fashion doll, closely tied to the aesthetics of London in the swinging ’60s. No wonder I wasn’t interested: she was far too trendy for me. Pippa reflected contemporary youth culture rather than adulthood or career ambition, but like Barbie and Sindy, she drew attention to how dolls function as cultural reflection, the encoding of our ideas about age, class and identity.

Representation became an increasingly central issue as Barbie’s reach grew globally. The first black-skinned Barbie appeared all the way back in 1980, followed by dolls representing various ethnicities and cultures. While these moves were broadly welcomed, they were rightly criticised for being superficial, as the early supposedly “diverse” Barbies shared the same facial features and body moulds as the original, differing solely in skin tone and costume and thus rendering them a frankly grotesque parody of the women they were purported to represent. Ken, too, was “diversified” over time, although he rarely attracted the same level of scrutiny, this very fact reflecting the inescapable truth that society’s response to representations of the female body is always more highly-charged.

Disability representation, body diversity and realistic aging were largely absent for much of Barbie’s history at this time and by the 1990s and 2000s, long after my own toys had been banished to the loft, Barbie’s cultural dominance had begun to wane and criticism of her image grew louder. Discussions linked the dolls to unrealistic beauty ideals and society became more and more concerned with the unnatural and hugely limiting image she presented. In response to falling sales, Mattel undertook a series of reinventions. In 2016, the company introduced a new line of Barbies with explicitly named body types — tall, petite and curvy (I kid you not) — alongside the original stretched form that represented nobody who has actually walked this planet. These new dolls had different proportions, altered clothing fits and a range of silhouettes that disrupted the long-standing elongated form of Barbie. Mattel also expanded its facial representation, introducing varied nose shapes, jawlines and eye placements; they also significantly broadened hair textures to include natural curls, afros and braids. Later additions included dolls with prosthetic limbs, wheelchairs, hearing aids, vitiligo and the visible medical devices we find today. These changes were accompanied by marketing that explicitly framed Barbie as a reflection of “real women” and “diverse lived experiences”. Critics remain sceptical, and many people question whether such brand rehabilitation can ever meaningfully counter decades of cultural messaging to the contrary.

Throughout her history, Barbie has functioned both as a mirror and as a mould for cultural ideas about gender and adulthood. Feminist responses to Barbie and her contemporaries continue to be mixed, reflecting broader tensions within modern intersectional feminism about choice, agency, beauty and capitalism. Whether she is seen as a symbol of oprression or progressivism, Barbie reveals how deeply children’s toys can be entangled with social values. More than six decades after her launch, the debate surrounding Barbie and her rivals endures because it is ultimately a debate about how society sees women and the futures that young girls are encouraged to imagine for themselves.

Photo by Sean Bernstein on Unsplash

A general lack of guidance

I struggle to understand why so little guidance is given in many schools about how students should go about the process of learning. To be clear, I’m not talking about school assemblies on “study skills”, which I realise that most teenagers will zone out during. No, guidance needs to come directly from each individual classroom teacher, the subject expert; it also needs to be explicitly taught, modelled and demonstrated on a regular basis. Schools need to agree what methods they are going to recommend and this needs to be reflected right across the school in all subjects, tailored specifically to what works best in each academic discipline.

Startlingly often, students are still being told: here is your Latin set text, now off you go and learn the first section. I was guilty of this in my first few years of teaching — rote-learning comes relatively easy to me and I didn’t really comprehend the fact that most students need to be shown how to go about engaging with the process of committing something to memory. Furthermore, I was working in a very high-achieving grammar school, where we were not really encouraged to support students proactively with their learning; it was assumed that all the students in the school could cope well in academia without such support. This was a foolish assumption, but it was the one we were subliminally encouraged to make.

When it comes to the literature element of the Latin GCSE, whether or not a student knows the translation of the set text off by heart and whether they can relate that knowledge to the the Latin version in front of them is without doubt the single most important differentiator between a student’s success and failure in the exam. Despite this inescapable fact, few Latin teachers appear willing to dedicate classroom time to the learning process, so wedded are they to the conviction that students can manage the learning in their own time. Many of my tutees have been told time and again that they don’t know the text well enough, that they need to learn it, that they need to spend more time doing so. Yet when I ask them, “what methods have you practised in class?” they stare at me, blankly. I have come to realise that most students are not being taught how to learn things off by heart, beyond the most rudimentary of suggestions.

Now, I am not naive. Having taught in secondary schools for 21 years, 13 of those years in a comprehensive setting, I am more than well aware of students’ uncanny ability to claim that they have “never been taught” something that they have in fact been told on multiple occasions. However, the extreme cluelessness of so many of my clients when it comes to what to do and their apparent awe when they are taught some very basic methods such as colour-coding and the first-letter technique do leave me increasingly convinced that many classroom teachers are simply not dedicating enough (or in some extreme cases any) classroom time to learning methodologies. I’ll bet most of them are doing what I used to do in my first few years of teaching — giving students a few bullet points of advice on how to go about learning the texts, then assuming that those students will remember this going forward. But why do we believe such nonsense? We would not (I hope) present them with the endings of the 1st declension in one lesson then assume that they will remember those endings for the rest of time — so why on earth should that be the case when it comes to study skills?

One possible reason is teachers’ anxiety about time. One of the greatest strains that GCSE Latin teachers are under is time pressure. Very few schools offer enough space on the timetable for our subject and I am fully aware that making it through both set texts within the time available is a mammoth task. I rarely finished the second set text prior to the end of March; on the few occasions that I managed to do so, it was real cause for celebration. Yet despite this, as my career progressed, I allocated an ever-increasing amount of classroom time to teaching students how to go about the learning process and also to giving them short bursts of learning time to actually get on with it in silence. Any spare few minutes that I found myself in possession of at the end of a new section or a new concept, I would allow them to bow their heads and spend 10 minutes using the first-letter technique to get a few sentences of the text under their belts. I wonder whether classroom teachers are afraid of allowing students this time, as if it somehow undermines the important of our teaching role. I used to remind students that I was painfully aware how much pressure I was putting them under, asking them to rote-learn a new chunk of text almost every single week. So part of the deal I made with them was that — whenever I could — I would let them have a few minutes of classroom time to kick-start the process.

The benefits of allocating this time are twofold. Firstly, it literally does get the children started on the process and is an opportunity to remind them once again of the methods that have been recommended: I used to put them up on a summary slide, even when they could all recite the methods without hesitation. Secondly, while students are studying, a teacher can circulate the room and check whether they are actually using the recommended methods — there will always be a few determined recalcitants, who claim that the recommended methods “don’t work for them”. This is when a teacher needs to be strong. The evidence for what works and what doesn’t work in terms of how we learn is overwhelming, and unless that child can perform perfectly in every test you give them then they need to get on board with the methods.

As for what the methods should be, I recommend a variety but one is definitely stand-out brilliant and so far has worked for every student I have ever met. So if you haven’t read my old post on how to use the first-letter technique then do so straight away — you will never look back! For broader guidance on effective study I would recommend looking at the work of Dr. Paul Penn, Professor of Psychology and author of The Psychology of Effective Studying. His book is fantastic, as is his YouTube channel.

Photo by Nick Morrison on Unsplash

Off my trolley

It seemed simple enough. It even seemed like a good idea. Something I had done before and not struggled with, an easy way to earn my Good Citizen badge for the day.

On my regular route to a local megastore, I pass a garage with a carwash. For some inexplicable reason, the footpath next to the carwash has become a dumping ground for supermarket trollies. Without fail, every time I make my way through this pass, there is an abandoned trolley, standing askew. I have puzzled as to why this particular place is where someone consistently no longer has need of the trolley that they apparently did need to take out of the supermarket carpark, but the logic escapes me. Still, given that I am able-bodied and on my way to the very megastore to which the abandoned trollies belong, I always take hold of the forsaken four-wheeler and push it back to its home.

On this particular occasion, in the hiatus between Christmas and New Year, I happened upon no less than four of them, nosing each other like abandoned dogs in the underpass. Can I manage four? I mused to myself. Of course I can, beamed my gym-going, over-confident self. Four trollies will be a breeze. Of course, I hadn’t factored in the treacherous nature of supermarket trolley-wheels combined with a sharp corner, heavy traffic and a steep slope: nevertheless, I eventually made it to the trolley park, breathless but triumphant. The park was completely empty of trollies. I kid you not, not one single person appeared to have returned their trolley to its rightful home on that day. In smiling possession of four, I was thus immediately set upon by multiple shoppers, all of them making a grab for one of the trollies I had brought. You’re welcome!

I grant you that it is all too easy to bemoan the state of modern Britain, but sometimes it’s the little things that get you down. I’m not sure if I can put a date upon when the shift occurred, but I’m sure that there were indeed halcyon days when people dutifully returned their trollies to the trolley park for the benefit of others. At the risk of sounding a little deranged, I’ve been pondering this for a week or more: when and why did people stop thinking that they had to return their trolley? After much musing, I think I’ve hit upon the source of the problem. It isn’t a symptom of poor parenting, it isn’t the state of our schools and it isn’t that people have somehow become inherently worse than they used to be. The issue, I believe, is that very few of us do our shopping in anything that even remotely resembles a community any more.

When my parents speak of their youth (a timespan ranging from the mid 1930s to the post-war period), both of them talk about local shops and local tradespeople. Everyone knew everyone else’s business, for better or for worse, and local businesses were at the very heart of the community. Shops and services were run by people you knew and that meant that those shops and services were places that expected and demanded respect and acknowledgement. Shop-owners were not a faceless corporation, they were members of the inner circle. If some local scallywag caused trouble for a local shopkeeper, there would be consequences and those consequences would have an impact on family and friends.

In such a community, it was shameful to be caught doing something thoughtless, because reports of such behaviour would be shared with other members of the neighbourhood. Both my parents recall being known to all the adults in their area and they can acknowledge both the privileges and the responsibilities that came with that fact. The privileges included feeling safe and looked after in their community, the sense that they could knock on anyone’s door at any time and ask for help; the responsibilities included knowing that any misdemeanours would get straight back to their parents! It suddenly occurred to me that very few of us feel either looked after or indeed feel judged and monitored in this way any more.

Very few of us feel vulnerable to any sense of shame about our routine behaviours, because we move through the world so anonymously, or at least we feel as if we do. Small acts of selfishness such as dumping our trolley at the side of the street will rarely if ever receive any kind of direct challenge or lasting consequence. As a result, people have gradually and unconsciously learned that they can get away with such thoughtless behaviour without an impact on their own lives. I honestly don’t believe that we are any less innately thoughtful than we used to be — it doesn’t make sense for such a seismic change in human nature to have happened so quickly; rather, it is the case that we operate in a world that does not expect us to be thoughtful and in which there are no consequences for our thoughtless behaviour.

There is so much to regret with the loss of local shopping: when I think of all the hand-wringing that is done about the state of the environment, so much of that could be solved or at least mitigated against if we simply went back to local stores. Out-of-town supermarkets started to become the norm somewhere between the 1960s and the 1980s and I would argue that this caused a shift in people’s attitude towards buying produce. At one stroke, we started to feel like we were giving our money to big corporations, nameless and faceless profiteers that we all began to resent whilst at the same time demanding more and more of their wares. Within the next two generations came the internet and online delivery, meaning we didn’t even have to leave our homes to give our money to invisible people. As a result of all of this, retail as a concept has taken on an identity of its own and is completely detached from humanity.

When we do leave our houses to circulate around the premises that such corporations set up for their customers, the distate on all sides is palpable. Despite what the advertisements would have us believe, it is obvious that customers feel no liking nor obligation towards such corporations and likewise the companies themselves display barely-concealed disdain towards their customers. Buying and selling now operates in an open atmosphere of mutual contempt. If you think I’m exaggerating, then perhaps you’ve never shopped in a large megastore in one of the poorest parts of the country. To quote the words of Jarvis Cocker in his 1995 classic, Common People, “I can’t see anyone else smiling in here.” Nobody smiles and nobody talks to each other. Everyone beats a path to the automated check-outs so they don’t have to interact with a human being before they leave the store. Virtually everything is tagged because theft is so rife, another consequence of people feeling so detached from their store-merchants: research indicates that most people now believe shoplifting to be a victimless crime.

But before we get too depressed, let’s all resolve to do better. While we might indeed be forking out our money to a giant company we don’t care for, in itself owned by one of the handful of global corporations that appear to own and control the entire universe, let us not forget that within those conglomerates there are hundreds and thousands of individual people like us, people who work and shop on their premises. Let us not lose sight of our individual humanity, which I believe we still possess in bucketloads: it is simply that we are operating in a world that makes us feel isolated and unmoored, disconnected from the sometimes bewildering number of other humans that move around us. As the population increases, there is a painful irony in the fact that we all seem to feel more and more alone inside it. But as just a tiny drop in what could be a potential antidote, how about this for a New Year’s resolution? Next time you see an abandoned trolley and you’re heading towards its homeland, why not pick it up and take it with you? You might be surprised how good it makes you feel.

Photo by James Watson on Unsplash

New Year celebrations: a Roman legacy

While people around the world have been engaging in the tradition of celebrating the New Year, have you ever wondered where this custom originated from? To uncover the roots of New Year celebrations, we must (of course!) journey back to ancient Rome, where the calendar and many of the traditions we take for granted today began to take shape.

The Roman calendar initially had little resemblance to the one we use today. In its earliest form, the Roman calendar was a 10-month system that began in March, a month named after Mars, the god of war. The year ended in December, with a winter period left unaccounted for in the calendar — a gap that made the year phenomenally difficult to track. I have written before on the phenomenal mess that the Romans got themselves into with their calendar, so I shan’t re-hash it all here, but suffice to say they really did make a right old business of getting it wrong.

Back in 713 BCE, Numa Pompilius, the second king of Rome, introduced two additional months, Ianuarius (January) and Februarius (February), to bring the number of calendar months up to twelve. The month of January was placed at the beginning of the year and dedicated to the god Janus, making it an appropriate time for reflection and planning for the future. Janus was the god of beginnings, transitions and duality. Often depicted with two faces — one looking to the past and the other to the future — Janus symbolised the liminal space between old and new, making him the perfect patron of New Year’s celebrations. His domain included doorways (ianuae in Latin), thresholds and gateways, such as the beginning of a journey or a new phase in life.

In Roman religion, Janus was invoked at the start of any significant endeavour, whether it was the launching of a military campaign, the construction of a building or the start of the agricultural season. His presence at the beginning of the calendar year cemented the idea of looking both backward in gratitude and forward with hope. Naming the first month after Janus thus underpins the idea of the New Year as a moment for reflection and resolutions.

The start of January was a time for Romans to engage in rituals and festivities. Celebrations included exchanging gifts, such as coins or small tokens, which were thought to bring good fortune for the year ahead, and decorated laurel branches were also exchanged, symbols of prosperity and victory. The Romans adorned their homes with greenery and light candles, symbolising the hope for illumination and guidance in the coming year. Sacrifices to Janus were made, and prayers were offered for peace and prosperity. The tradition of making new year’s resolutions can trace its lineage back to this time, when Romans would pledge to improve themselves in the coming year, offering vows to Janus as part of their commitment. The Roman empire’s vast reach ensured that its calendar and traditions left a lasting imprint on the regions it governed. Even after the fall of Rome, the Julian calendar, introduced by Julius Caesar in 46 BCE, remained in use across much of Europe.

Caesar’s calendar reforms, which I discuss in my blog post on Roman calendars, was significant not only for standardising the length of the year but also for firmly establishing January as the beginning of it. This decision was partly practical and partly symbolic. By aligning the calendar with the solar year and by dedicating its beginning to Janus, Caesar reinforced the notion of January as a time for renewal. Over time, Christian Europe adopted the Julian calendar, and while some regions initially celebrated the New Year on different dates, January 1st eventually became the standard.

While many modern New Year customs have their roots in Roman practices, they have evolved over centuries and absorbed influences from various cultures and religions. For instance, the Christian Church initially resisted the celebration of January 1st as New Year’s Day, associating it with pagan rituals. However, by the Middle Ages, the Church had incorporated the date into its liturgical calendar, marking the Feast of the Circumcision of Jesus.

New Year’s Day stands as a testament to humanity’s enduring desire to mark the passage of time and embrace renewal. The Romans’ choice of January, their veneration of Janus and their customs of gift-giving and reflection have profoundly shaped the way we celebrate the New Year. Though centuries have passed and cultures have changed, the essence of New Year’s traditions—hope, renewal, and connection—remains timeless.

So, as we ring in the New Year, we honour not only our aspirations for the future but also the rich tapestry of history that has brought us to this moment. In every resolution made and every toast raised, the spirit of Janus lives on, guiding us through the thresholds of time.

Photo by Tim Mossholder on Unsplash

Felix Nativitas

Christmas did not begin its story in a vacuum. It arose within the vast and vibrant Roman Empire, a place where countless gods, rituals and traditions were already woven into the rhythm of everyday life. When early Christians eventually shaped their own celebrations, they did so whilst living among people who already marked their calendar with festivals, feasts and customs. Christmas was a celebration which developed in conversation with the pagan world around it, and echoes of ancient Roman festivities can still be heard to this day.

Before Christmas ever graced a church calendar, the month of December belonged to Saturnalia, the most beloved festival in the Roman year. Dedicated to Saturn, the god of agriculture, Saturnalia was a season of feasting, public merriment, exchanged gifts and an inversion of ordinary social rules. Slaves were permitted to dine alongside their masters, ordinary citizens dressed in colourful clothing and laughter filled the streets. For the Romans, Saturnalia was a cherished invitation to joy and generosity, when daylight was at its shortest.

As Christianity spread across the empire, its followers could hardly avoid the fact that they were living beside these exuberant customs. They worked, traded and travelled among people who had long found comfort in Saturnalia’s festivities. Even while Christians rejected the worship of pagan gods, the rhythms of the culture around them could not simply be dismissed. The earliest believers did not yet celebrate Jesus’s birth. Easter, with its promise of resurrection, held far greater importance at that time, and still does in many parts of the world. But the season of Saturnalia left a deep imprint on the Roman imagination, an imprint that would shape the Christmas period in centuries to come.

Another celebration, emerging later but carrying immense symbolic power, prepared the ground for what would eventually become Christmas Day itself. On the 25th December, the Romans honoured Sol Invictus, the Unconquered Sun. This was the moment in the year when the sun, having reached its lowest point in the winter sky, began its slow ascent once more. Light returned, day by day, and darkness lost its hold. As a sufferer of mild Seasonal Affective Disorder, I am still somewhat obsessed with this, and track the progress of the sun’s re-emergence quite obsessively on an app on my phone. The emperor Aurelian was perhaps a fellow sufferer, for he elevated the sun god to renewed prominence in the third century, building a temple in his honour and giving the festival the stamp of imperial authority. The symbolism was unmistakable: the rebirth of the sun signalled renewed strength, hope and the promise of triumph.

The imagery of light returning to the world resonated with early Christians. Long before Christmas existed, the early Christian writers were already describing Jesus as a radiant presence — a light that shines in the darkness, a sun of righteousness. When the time came to choose a date to mark the birth of Christ, an alignment with the festival of the Unconquered Sun carried a poetic logic. Winter solstice celebrations already existed across many cultures and Christians, surrounded by a world that already rejoiced at the return of daylight, found in them a natural metaphor for their own faith.

Yet the decision to celebrate Christmas on December 25th did not happen quickly. For centuries, Christians debated whether Jesus’s birthday should be celebrated at all. Some early theologians went so far as to criticise such birthday celebrations as pagan excess. In the end, theological reasoning blended with cultural reality, and a compromise was reached. The celebration of Christ’s nativity was drawn into the orbit of Rome’s winter festivals.

Once Christianity gained legal recognition under Constantine in the 4th century, church leaders faced the challenge of guiding a vast and diverse population into a new religious identity. The empire still had the legacy of the customs of Saturnalia, the reverence for Sol Invictus and countless other local traditions. Abolishing such celebrations outright would have caused confusion and led to civil unrest. Instead, Christian leaders chose the path of least resistance: they recast familiar festivities with new meaning. They did not graft pagan worship onto Christianity, but they repurposed cultural habits — gift-giving, feasting and decorating homes — to fit the story that they wanted to tell. In doing so, they allowed people to continue the customs they loved whilst shifting the spiritual focus.

Christmas grew within this climate of adaptation and reinterpretation. Many of the customs that now feel inseparable from the holiday were once part of Roman winter traditions. The exchanging of gifts, once associated with Saturn’s festival, found a new home in the tale of wise men bearing offerings for a newborn child, and in the Christian emphasis on charity and care for the poor. Feasting and joyful gatherings continued, now wrapped in the language of celebration for Christ’s birth rather than Saturn’s agricultural blessings. Lights and candles, once meant to honour the returning sun, became symbols of the divine light that entered the world in Bethlehem according to Christian belief. Even the greenery that adorned Roman homes during winter — a symbol of life persisting in the cold — persisted in later centuries as wreaths, boughs and eventually the Christmas tree.

Such continuities do not make Christmas a pagan holiday in disguise. Rather, they reveal how cultural transformation naturally unfolds. Christianity, growing from a small sect into the dominant religion of a sprawling empire, had to find ways to speak to the hearts and habits of its people. In Rome, this meant placing the celebration of Jesus’s birth in a season already rich with meaning, then slowly reshaping that meaning through worship, stories and symbolism. As centuries passed, Christmas continued to evolve. Medieval Europeans added their own layers of traditions of plays, feasts and symbolic foods. Later still, modern customs from Victorian England and American culture reshaped the holiday yet again, giving us carols, cards, Santa Claus imagery and the commercial bustle that now defines the season, for better or for worse. But beneath all these layers, the ancient Roman foundations still flicker like candlelight. The joy of gathering with others in the dark of winter in anticipation of the increasing daylight to come; the encouragement to be generous and think of others in need; the glow of lights that promise warmth and renewal. All these traditions echo the old festivals that once marked December long before Christ was born.

Understanding this intertwined history should not diminish Christmas for anyone, Christians included. The holiday stands as a testament to humanity’s enduring desire to find meaning in the dark months, to celebrate hope’s return, and to bring warmth into the coldest part of the year. Through Christianity’s encounter with Rome’s festivals, the season became a bridge between worlds — between old gods and the new faith, between ancient customs and evolving traditions, between winter’s chill and the promise of returning light. In that sense, Christmas is not merely a date on the calendar, but a centuries-long story of cultural evolution, a process that is still unfolding each time December rolls around.

Photo by Mariana B. on Unsplash

Going in stealth

One of the things I love most about what I do now is the stealth and anonymity. As a frontline classroom teacher in a modern educational setting, you are constantly exposed. Teaching means being quite literally on display at the front of the classroom putting on a show for multiple classes, multiple times per day. You’re also putting on a show for management, who in turn are putting on a show for each other, for parents, for OfSted or for the ISI. Everything, frankly, is performative. The whole world’s a stage.

Even more stressful than this is the fact that your results are under scrutiny. The pressure of this will vary from setting to setting, but there are vanishingly few schools now which do not now make individual teachers directly accountable for the academic results of the students in their classes. At the high-achieving grammar school I first worked in, the Headteacher would meet with every academic department every year and go through A level results with a fine-toothed comb. Every member of the department had to prepare for the meeting and bring along their justifications as to why some students may not have made the grade. It was a toe-curling and sometimes genuinely upsetting experience.

These days, with the work that I do, I am very much behind the scenes. I’m the person you’re not supposed to see. Black leggings and a balaclava have replaced the vibrant costumes I had to wear for my classroom performances. While there are some students or parents who inform the classroom teacher of my existence, most do not. I hear reports of teachers that are amazed, delighted and genuinely mystified as to how a student has made such a marked improvement in a short period of time. Some of them must (surely?!) hazard a guess as to how this might have happened, but many seem to remain in the dark, along with my services. In terms of the results that my tutees achieve, those results go on the books of their regular classroom teacher and they are welcome to them. I know the truth, as does the tutee and their parents who paid for my work. There is something strangely satisfying about it. I genuinely love being the secret silver bullet, the hidden reason why a child makes the shift from the bottom of their class to the middle or even to the top. I cannot tell you how exciting and rewarding it is.

One student brought me up short this week when she described the situation in her classroom. In a high-achieving school, in which many of the students studied Latin from an early age in prep schools, she has always felt slightly behind the curve and I knew this already. What I did not know was the extent to which the classroom teacher relies on the fact that students have prior knowledge and thus doesn’t feel the need to teach new concepts in anything like enough depth for a novice.

“You’ve actually taught me this stuff,” my tutee said, as we celebrated her improved understanding of the uses of the subjunctive. As I listened while she elaborated, I became more and more horrified. She explained that the classroom teacher pitches the work in a manner that works for those to whom the material is not new. The overall assumption seems to be that the students already know the basic grammatical structures and thus the teacher’s job is simply to give them a quick reminder plus some further practice. The problem is so bad for those in the class that do not have the prior knowledge that several other students have also acquired a tutor over the last few months, since they too are struggling to keep up. “What I find really funny,” my tutee said, who is wryly perceptive for a young person of her age, “is that everyone who needs one always gets a private tutor, and then the school congratulates itself every year on amazing results.”

While I have never taught in the private sector, I have some experience of this phenomenon in the grammar school I used to teach in. We had a couple of teachers who were basically ticking off the days until retirement and quite frankly they were diabolical. As an A level student, if you were put into Mr Dudley’s German class, you knew that you would never get through the exam without external help. As a result, every single member of Mr Dudley’s class was given the benefit of support from a private tutor by their families. (Parents who have got their kids into a grammar school are usually well on board with the idea of private tuition: it’s how most of them got their kids into the school in the first place). So, Mr Dudley’s class would crash its way through an untaught syllabus, with lesson after lesson being provably and audibly chaotic. But guess what? Mr Dudley’s results were better than all of ours put together. And he got the credit for it, despite his palpably dreadful teaching. To be honest, it used to drive the rest of us wild.

Private tutors’ work is incredibly difficult to track because its behind-the-scenes nature means that is not systematically recorded. Without centralised data collection or mandatory reporting, it is impossible to measure how widespread private tuition is or indeed how significantly it affects educational attainment and inequality. But when a high-achieving school boasts consistently outstanding results on their website, I must admit I do find myself wondering just how many tutors there are behind the scenes to make them possible.

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Reflections on Inflection

One of the biggest challenges that confronts students of Latin is that it is a heavily inflected language, meaning that the endings of words carry a large portion of the grammatical information.

English, by contrast, tends to express meaning through word order or auxiliary words. In Latin, nouns, pronouns and adjectives change their endings to mark case, number and gender; this means that a single word can appear in numerous forms that look unfamiliar at first glance. Verbs also change their form extensively to indicate tense, mood, voice, person and number. As a result, learners cannot simply scan a sentence from left to right and piece together meaning based on the sequence of words in the way they might in modern English. Instead, they must train themselves to recognise patterns in the endings, identify which role each word plays in the sentence, and mentally reconstruct the basic structure before a translation can emerge. This process of analysis can feel especially daunting for the novice.

Likewise, when learning vocabulary, it is not enough to learn the basic word. If a student simply learns that ferre means “to carry” (it’s the origin of the word ferry in English) they then fail to recognise it in most other forms. In the perfect tense, the verb changes completely: “they carry” would be tulerunt. Likewise, it’s participle is different again: “carried” (or “having been carried”) is lati. These forms need to be learnt if the student is to stand any change of recognising the word in a translation.

To be clear, all languages do this to some extent. Whenever a student is despairing as to the myriad of ways in which a Latin verb can change, I like to point out to them that if they were learning English as a non-native speaker, then they would have to learn that the verb “to be” changes from is, to are, to were, to am, to has been and so on. They would have to learn that the comparative of good is better, that the superlative of bad is worst. All languages have such challenges and while there are always underlying patterns that one can work with, even these can seem overwhelming at the beginning.

It is an easy assumption for novices to make that they can do their vocabulary learning entirely on their own, without a subject expert. While it is true that such learning is something that can and should be done regularly as part of private study, it is in fact essential that a tutor get involved with it in order to support students with the process of learning how the words look in different forms. Much of what I spend time on is the process of showing students words (most especially verbs) in their different forms, especially those which occur most commonly in the examination. A student may have learnt the fact that cado means “I fall”, but does this mean that they will recognise ceciderunt as “they fell”? Without support, this is highly unlikely. One of the skills of what I do is to focus my support on such words and to advise students and those supporting them on the learning that they can do on their own: for example, adverbs do not conjugate or decline, so those are a really good area where students can invest the time at home.

Very few schools test their students on the vocabulary list in different forms, but the very best ones do. I can count on one hand the number of schools where this is done regularly and effectively, but the difference between a student drilled in this way and one that has been merely tested on the original form of the word is palpable. Some schools invite students to learn the principal parts of verbs but this is relatively unusual and most commonly treated as “a bonus” when the reality is that learning verbs without a knowledge of their inflected parts is actually a waste of time.

One of the biggest problems with all existing text books is their lack of focus on vocabulary acquisition. While modern languages tend to build units of learning around vocabulary and place the accretion of key words at the centre of students’ learning, Latinists continue to treat vocabulary learning as a bolt-on and place little to no emphasis on weaving it into the grammar teaching that goes on. This really is bizarre and with the advent of Chat GPT and other free platforms capable of generating simple Latin sentences there really is no excuse. Schools should be re-writing the curriculum and basing the sentences used for grammar practice exclusively around the GCSE word list. When it is now possible to dump a word list into your AI platform of choice and ask it to churn out as many sentences as you desire using that vocabulary and practising the grammar point you are working on, there really is no excuse whatsoever.

While schools continue to rely on text books such as the Cambridge Latin Course and Suburani, students will continue to be let down when it comes to vocabulary acquisition, never mind the grammar. As we await the inevitable changes to the GCSE course it is difficult not to feel somewhat depressed about what will happen next. A new vocabulary list will be issued, not dramatically different from the last one, but different enough to mean that all previous materials will require checking and editing. (Last time it happened, 25 words were removed from the prescribed list, and it took a couple of years and a lot of begging for the board to release the list of words that they had removed rather than leaving teachers to work it out: as I recall, it was produced on request at various INSET gatherings and was never in wide circulation). Current text books such as Taylor & Cullen’s Latin to GCSE will thus remain useful but not quite in line with the examinations on offer and most schools will continue to use already-published courses which bear little to no relation as to what’s on the GCSE list. When I start working with a student, I already know which words will be a problem for them. For example, every single student that has studied using the Cambridge Latin Course will think that the common word poena means “poet” when in fact it means “punishment”. This is because the CLC teaches them the word poeta early on and never introduces them to the word poena.

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When practice makes too perfect?

Every teacher wants their students to succeed. All teachers put in hours of effort to build the competence and confidence of their students. Yet across most schools in most subjects, there is a subtle but pervasive problem: teachers giving students tasks that directly contradict the conditions under which students will ultimately be assessed. Perhaps the most common way I see this manifested is when teachers set an exam question for homework but do not set a time limit. Students are encouraged to produce their best answer, without the contraints of timed conditions. On the surface, such a task may seem not only harmless but supportive: but what are the risks involved?

Teachers rarely encourage harmful practice out of sheer carelessness: quite the opposite. Such practice arises from good intentions. Teachers often want their students to slow down, to think carefully and to produce their best work. Removing time pressure feels like a way of fostering both their learning and their skills. Teachers are also conscious that timed tasks can cause stress and many, understandably, fear overwhelming their students; ironically, it is most often the already-anxious student that is most damaged by the practice of no time-limits, since the temptation to spend an excessive amount of time on a task in order to produce a perfect answer may be overwhelming for them. Likewise, such students are usually the most deeply affected by the looming prospect of time pressure in an exam. Thus, in their desire to reduce pressure on their students, teachers may unwittingly create more pain for the most anxious of students in both the short-term and the long-term.

Another reason why teachers may set a task without time parameters is that when students are given more time, they often produce more complete work. Completed work gives the teacher more to comment on and the student more to reflect on. Students are more likely to manage to write something at length if they are not under strict exam conditions and thus teachers have more to work with when it comes to marking and feedback. Again, however, we are faced with a painful irony as a result: not only are students practising the wrong skills, their teachers’ time is being wasted as it is being spent giving detailed feedback on irrelevant skills. To be frank, everybody loses.

What is thus most surprising about some teachers’ reluctance to impose time-limits on their students is that they fail to see how setting time-limits is a win-win situation for everyone. Not only will the student benefit from the fact that they are practising precisely what they will need to do in the examination, that student will benefit in the short-term from a homework task that is time-bound and manageable. Far too often, students are set open-ended tasks which can expand to fill the time they have available: for anxious and/or high-achieving students, this can be almost infinite. Likewise, the time that teachers have to spend on marking and feedback is minimal and needs to be tightly-managed, for the sake of their own workload and to ensure that the time they do spend on that task is valuable and effective. I will never forget Professor Paul Black (50% of the brains behind the now-ubiquitous educational concept of Assessment for Learning) stating to a roomful of teachers that we were all marking too much, too often, for too long and (here’s the really devastating bit) that we were all wasting our time. That was 25 years ago. And we’re still doing it.

Outside of workload, a further risk that arises from setting students exam-style questions with no time limit is the illusion of competence. Cognitive psychology has repeatedly demonstrated that students — and indeed their teachers — can be misled by what feels effective in the moment. When a student has unlimited time on a practice essay, their cognitive load is relatively low. There is no pressure to recall information quickly, organise ideas under time constraints or make strategic trade-offs between detail and speed. As a result, tasks feel more manageable and the final product looks polished. Students and teachers might both reasonably conclude that they are exam-ready on that topic, but this belief is built on a false foundation. What are they actually ready for? In real exams, time limits force rapid decision-making. Perhaps what is most important is that students must develop an understanding that examinations do not demand perfect, polished answers: to expect this under time pressure would be grossly unreasonable. Students must learn the importance of producing a sensible, structured response that is as well-crafted as can reasonably be expected in the time allowed. This is not the same thing as what one might produce given infinite preparation and review time, for example when drafting a manuscript for publication. When exam practice is performed without time constraints, students may master individual components of the task (knowledge, technique, structure) but they will fail to integrate them at speed during the exam. Students who have never practised in timed conditions may also experience extreme panic when they first encounter them, at a time when it is too late to build that resilience.

Research tells us that learning sticks when students are forced to retrieve information under conditions that mimic the challenge they will face. Slow, open-book, or time-unlimited tasks do not recreate the retrieval demands of an examination. They allow students to look things up, pause, think in a leisurely fashion or redraft their answers. Yet again, they are practising the wrong skills, as these behaviours are impossible in an exam room. For a skill to transfer from practice to final performance, the practice must include the key features of the performance context. Practising sections of a piano piece slowly can help with accuracy, but to perform at performance tempo, you must ultimately practise at performance tempo: you must also avoid repeating mistakes in your practice, lest they be embedded. The same principle applies to writing essays, solving equations and analysing sources.

Musical practice is not the only example of a process that academic teachers could learn from. The older and more experienced I get, the more I realise what an oversight it is that academic teachers do not listen to and learn from our sporting peers. Athletes understand the training process: they understand how to break challenges down into achievable goals and what is needed in order to practise for a final performance. More and more, I talk to my students about their studies in a way that draws on the processes used by competitive sports men and women.

With many students facing their Mock examinations at around this time, the extent to which they are prepared for those is very much on everyone’s mind. Without a doubt, most teachers understand all too well that students need to be familiar with the look and feel of assessment questions, and try to produce questions which mimic the phrasing and typical format of the questions that they will face. They also know that students need to practise retrieving their knowledge without notes, prompts, or textbook guidance. Yet the thing that is most commonly overlooked with exam-matched practice are realistic time constraints. I would argue that to encourage students to practise answering these without the additional parameter of time constraints is a dangerous and counter-productive waste of everyone’s time.

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